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Untitled

Untitled, 1865

Georgina Cowper

A work made of photo-etching, aquatint, mezzotint, roulette, and drypoint, with scraping and burnishing, on off-white wove paper.

The Pool of Tears, 1962

Vera Berdich

A work made of color line photo-engraving on off-white wove paper.

Double Square Branch, from Counting Alternatives: The Wittgenstein Illustrations, 1991, based on a drawing from 1971

Mel Bochner

A work made of photo print on paper.

Inside Marina City, 2011

Andreas E. G. Larsson

A work made of gelatin silver print.

Picket Line, NYC, 1937, printed c. 1937

Morris Engel

A work made of gelatin silver print.

Half Way Truck Stop, Penn. Turnpike, 1949/50, printed 1949/50

Arthur Leipzig

A work made of gelatin silver print.

Lost Colony, 1940s

Sidney Grossman

A work made of gelatin silver print.

Shoeshine Boy, NYC, from the series "Shoeshine Boy", 1947

Morris Engel

A work made of gelatin silver print.

Rebecca with Sister on Street, from the series "Rebecca", 1947

Morris Engel

A work made of gelatin silver print.

Façade of Rebecca's Building, Evening, NYC, from the series "Rebecca", 1947

Morris Engel

A work made of gelatin silver print.

Rebecca in Box, NYC, from the series "Rebecca", 1947

Morris Engel

A work made of gelatin silver print.

Untitled (New York City Dockworkers), 1947

Morris Engel

A work made of gelatin silver print.

Untitled (New York City Dockworkers), 1947

Morris Engel

A work made of gelatin silver print.

Untitled (New York City Dockworkers), 1945/49

Morris Engel

The Merry Wives of Windsor

The Merry Wives of Windsor, 1910

Hugh Thomson

A work made of color photo-etching on cream wove paper, laid down on ivory wove paper (chine collé).

Memory Spurted Against His Silence, plate five from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of photo-etching, aquatint, mezzotint, roulette, and drypoint, with scraping and burnishing, in blue-green on white wove paper.

The Pool of Tears, 1962

Vera Berdich

A work made of photo-etching, aquatint, mezzotint, roulette, and drypoint, with scraping and burnishing, in blue-black on ivory wove paper.

The Pool of Tears, 1962

Vera Berdich

A work made of photo-etching, aquatint, mezzotint, roulette, and drypoint, with scraping and burnishing, in blue-black on white wove paper.

The Pool of Tears, 1962

Vera Berdich

A work made of etching and aquatint in black and blue (top) and photo-etching (bottom) in brown on cream wove paper.

Poor Self Traits #2: Shep, 1970

Barbara Rossi

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