Curator

  • Art Institute Chicago
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  • My Exhibition
A work made of photo-etching from polymer in black on white wove paper.

Oasis, from Hotel Suite, 2010

Nicholas Sistler

A work made of color photo-etching from five plates on ivory wove paper.

He Recoiled Unmarked, plate ten from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of gelatin silver print.

Lower East Side, 1954

Leon Levinstein

A work made of photo-collage of paper and ink on photograph, mounted on board.

Monadnock Building Renovation, Chicago, Illinois, Presentation Design Drawing, Mid–1960's

Brenner-Danforth-Rockwell, Architects

A work made of gelatin silver print.

Untitled (Working in City Lot), 1940s

Sidney Grossman

A work made of gelatin silver print.

Boy and Flag (and Recruitment Poster), Long Island City, NY, 1979

Walter Rosenblum

A work made of photo-etching from polymer in black on white wove paper.

Unexpected Invitation, from Hotel Suite, 2010

Nicholas Sistler

A work made of color photo-etching from five plates on ivory wove paper.

He was Known Becuase of His Precision, plate eleven from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of color photo-etching from five plates on ivory wove paper.

The Instrument was Explained in Detail, plate fifteen from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of color photo-etching from five plates on ivory wove paper.

He Tried to Count the Stars, plate 28 from Uruguayan Torture Series, 1983

Luis Camnitzer

Flashlight, from 1st Etchings

Flashlight, from 1st Etchings, 1967-68

Jasper Johns

Flashlight, from 1st Etchings

Flashlight, from 1st Etchings, 1967–70

Jasper Johns

A work made of collage of photomechanically cut photo papers.

Untitled, 2019

Elisabeth Wild

A work made of photo-etching from polymer in black on white wove paper.

Sanctuary, from Hotel Suite, 2010

Nicholas Sistler

A work made of color photo-etching with scraping, burnishing, aquatint and drypoint, on white wove paper.

Rhabdomancy, 1967

Vera Berdich

A work made of color photo-etching on cream wove paper, laid down on ivory wove paper (chine collé).

The Coffee was Cold, plate four from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of photo-offset postcard on white wove paper.

100 Boots at the Bank, February 9, 1971, 10:00 a.m.; mailed April 26, 1971

Eleanor Antin

A work made of photo-offset postcard on white wove paper.

100 Boots at the Pond, July 12, 1971, 2:00 p.m.; mailed March 6, 1972

Eleanor Antin

A work made of photo-offset postcard on white wove paper.

100 Boots Outside, Ocober 14, 1971, 10:30 p.m.; mailed April 4, 1972

Eleanor Antin

A work made of photo-offset postcard on white wove paper.

100 Boots on the Way Down, October 12, 1971, 3:00 p.m.; mailed May 30, 1972

Eleanor Antin

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