Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gelatin silver print.

St. Joseph's House, 1937

Aaron Siskind

A work made of photo-collage of paper and ink on photograph, mounted on board.

Monadnock Building Renovation, Chicago, Illinois, Presentation Design Drawing, Mid–1960's

Brenner-Danforth-Rockwell, Architects

A work made of gelatin silver print.

Lower East Side, 1954

Leon Levinstein

A work made of color photo-etching from five plates on ivory wove paper.

He was Known Becuase of His Precision, plate eleven from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of color photo-etching from five plates on ivory wove paper.

The Instrument was Explained in Detail, plate fifteen from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of photo-etching from polymer in black on white wove paper.

Unexpected Invitation, from Hotel Suite, 2010

Nicholas Sistler

A work made of color photo-etching from five plates on ivory wove paper.

He Tried to Count the Stars, plate 28 from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of gelatin silver print.

Boy and Flag (and Recruitment Poster), Long Island City, NY, 1979

Walter Rosenblum

A work made of gelatin silver print.

Untitled (Working in City Lot), 1940s

Sidney Grossman

Flashlight, from 1st Etchings

Flashlight, from 1st Etchings, 1967-68

Jasper Johns

Flashlight, from 1st Etchings

Flashlight, from 1st Etchings, 1967–70

Jasper Johns

A work made of collage of photomechanically cut photo papers.

Untitled, 2019

Elisabeth Wild

A work made of photo-etching from polymer in black on white wove paper.

Sanctuary, from Hotel Suite, 2010

Nicholas Sistler

A work made of color photo-etching with scraping, burnishing, aquatint and drypoint, on white wove paper.

Rhabdomancy, 1967

Vera Berdich

A work made of color photo-etching on cream wove paper, laid down on ivory wove paper (chine collé).

The Coffee was Cold, plate four from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of photo relief with letterpress in black and red on magenta cloth portfolio cover.

Folio cover, from Estampas de Yucatán, published 1946

Alfredo Zalce

A work made of photo-offset postcard on white wove paper.

100 Boots Boarding, 1973

Eleanor Antin

A work made of photo-offset postcard on white wove paper.

100 Boots Taking the Hill (2), 1973

Eleanor Antin

A work made of photo-offset postcard on white wove paper.

100 Boots Taking the Hill (3), 1973

Eleanor Antin

A work made of photo-offset postcard on white wove paper.

100 Boots at the Bank, February 9, 1971, 10:00 a.m.; mailed April 26, 1971

Eleanor Antin

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