Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gelatin silver print.

Peruvian Group #3, Religious Fiesta, Bolivian Highlands, 1950

Eliot Elisofon

A work made of gelatin silver print.

Coney Island, 1947

Jerome Liebling

A work made of color photo-etching with line etching and aquatint on white wove paper.

The Flying Dutchman, 1975

Vera Berdich

A work made of color photo-etching with aquatint, mezzotint and drypoint, on white wove paper.

Checkmate, 1961

Vera Berdich

A work made of photo-etching with graphite.

Four 4444, 1974, 1974

Keith Smith

A work made of color photo-etching from five plates on ivory wove paper.

The Weight Drove His Pulse into the Wall, plate six from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of relief engraving (left) and photo-relief etching, with engraving on green wove paper.

Great Comet and Fiery Blaze, 1899

José Guadalupe Posada

A work made of color photo-etching, soft ground, aquatint, and hard ground, from four plates, on cream wove paper.

Pinnacle, 1972

Michael Stephen Miller

A work made of photo-etching from polymer in black on white wove paper.

Vacancy, from Hotel Suite, 2010

Nicholas Sistler

A work made of photo-lithograph reproduction of an original photogram, from the portfolio "are you rea" (1989).

Untitled, 1968

Robert Heinecken

A work made of photo-lithograph reproduction of an original photogram, from the portfolio "are you rea" (1989).

Untitled, 1968

Robert Heinecken

A work made of photo-lithograph reproduction of an original photogram, from the portfolio "are you rea" (1989).

Untitled, 1968

Robert Heinecken

A work made of offset lithograph, from the portfolio "time exposed" (1991).

South Pacific Ocean, Maraenui, 1990, printed 1991

Hiroshi Sugimoto

A work made of offset lithograph, from the portfolio "time exposed" (1991).

Aegean Sea, Pilion, 1990, printed 1991

Hiroshi Sugimoto

A work made of photolithograph.

Woods, 1977

Scott Hyde

A work made of photo relief etching with relief engraving on tan wove paper.

The Final Note, n.d.

José Guadalupe Posada

A work made of collage composed of color photocopies and linocuts, with solvent-transfered color-photo-copied images, graphite and crayon frottage from linocuts, gouache and acrylic paint, on pieced cream japanese paper.

Double Blind, 1993

Jane Hammond

A work made of color photo-etching with aquatint and mezzotint on white wove paper.

Cartomancy, 1969

Vera Berdich

A work made of color photo-etching with aquatint, mezzotint, and drypoint on white wove paper.

The Art of Mnemonics, 1968

Vera Berdich

A work made of inkjet print on 100% rag photo paper.

Color(ed) Theory: Currency Exchange + Safe Passage, 2014-15

Amanda Williams

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