Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of inkjet print on 100% rag photo paper.

Color(ed) Theory: Loose Squares/Newport 100, 2014-15

Amanda Williams

A work made of gelatin silver print.

Untitled (Man Walking Past Building and Rubble), c. 1948, printed c. 1948

Jack Lessinger

A work made of gelatin silver print.

Oklahoma, 1940s

Sidney Grossman

A work made of gelatin silver print.

Japan a Photo Theater II, 1978

Daidō Moriyama

A work made of photo-etching in brown on off-white wove paper.

Untitled, 1971

Sharon Couzin

Some British Ballads

Some British Ballads, 1919

Arthur Rackham

Cinderella

Cinderella, 1919

Arthur Rackham

A work made of pen and black ink with brush and gray wash, ink and white gouache, with touches of non-photo blue pencil, on cream wove card.

He Goes On Record, from Peter Public, 1925

Clifford Alexander

The School for Scandal

The School for Scandal, 1911

Hugh Thomson

A work made of gelatin silver print.

Bayway Refinery, August 1948

Sol Libsohn

A work made of gelatin silver print.

Three Men, 105th St., N.Y.C., 1952

Walter Rosenblum

A work made of gelatin silver print.

Moving Man, Pitt St., N.Y.C., 1938

Walter Rosenblum

A work made of gelatin silver print, from "the harlem document".

Boy with Shopping Bags, 1935, printed 1976

Aaron Siskind

A work made of gelatin silver print.

Afternoon Visit, Ola and I Playing Nipple (Photo by Sodiq) from the series The Royal House of Allure, 2019

Sabelo Mlangeni

A work made of color photo-etching with line etching, aquatint, drypoint and roulette, on white wove paper.

The Departed, 1979

Vera Berdich

A work made of photo print on paper.

Inside Marina City, 2011

Andreas E. G. Larsson

A work made of cotton, plain weave; photo-screen printed.

Panel (Furnishing Fabric), c. 1940

A work made of photo-etching from polymer in black on white wove paper.

Hospitality Alcove, from Hotel Suite, 2010

Nicholas Sistler

A work made of photo-etching.

Emerging Image: Portrait of the Artist, December, 1965

Keith Smith

A work made of pen and black ink, non-photo blue pencil and black fiber-tipped pen, on white wove paper.

If There are Any Fish There, Ol Joe Jinks'll Catch 'Em!, from Joe Jinks, 1940

Lynn Jenkins

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