Curator

  • Art Institute Chicago
  • Harvard art museum
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A work made of color photo-etching on white wove paper.

Susannah's Dilemma, 1983

Vera Berdich

A work made of inkjet print on 100% rag photo paper.

Color(ed) Theory: Currency Exchange + Safe Passage, 2014-15

Amanda Williams

A work made of silkscreen on paper record cover, record label reproduced from 3m color-in-color copy of photo.

Untitled, from The New York Collection for Stockholm, 1973

George Segal

A work made of color photo-etching from four plates on ivory wove paper.

Plate 35 from Uruguayan Torture Series, 1983

Luis Camnitzer

Yuma, or the Land of Friends II

Yuma, or the Land of Friends II, 2020

Carolina Caycedo

A work made of book.

Demokrasi Alfabeye Borçlu [democracy owes to the alphabet], 2013

Esen Karol

A work made of photo-etching on cream chine, laid down on white wove paper (chine collé).

Untitled, 1983

Ana Mendieta

A work made of photo-etching in black on ivory wove paper.

Plate 33 from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of relief engraving or photo relief etching with stenciled color on wove paper.

The Street Gazette: Grand Inauguration of the New Racetrack Situated on Peñón Hill in Mexico City, December 3, 1893

José Guadalupe Posada

A work made of gelatin silver print, from the portfolio "don worth twelve photographs" (1957).

Dune Grass, Mendocino, 1957

Don Worth

A work made of gelatin silver print, from the portfolio "don worth twelve photographs" (1957).

Burned Driftwood, Mendocino, 1957

Don Worth

A work made of gelatin silver print, from the portfolio "don worth twelve photographs" (1957).

Surf, Gualala, 1957

Don Worth

A work made of gelatin silver print, from the portfolio "don worth twelve photographs" (1957).

Gravestone, Mendocino, 1957

Don Worth

A work made of gelatin silver print.

Street Scene, 105th St., N.Y.C., 1952

Walter Rosenblum

A work made of zinc alloy plate etched with nitric acid and engraved with burin nailed to wood block (photo-relief etching).

Printing block for Calavera of the Masses, no. 2, 1910

José Guadalupe Posada

A work made of photo-relief of a lithograph (or chromotypogravure) in black and orange on slick white wove paper laid down on cream wove paper.

Conversation, n.d.

Théophile-Alexandre Pierre Steinlen

Untitled

Untitled, 1988/89

Nancy Burson

A work made of photolithograph on acetate.

New Semester Reward of the Oppressed, from General Dynamic F.U.N., 1970

Eduardo Paolozzi

A work made of photolithograph on acetate.

Animals as Aliens, from General Dynamic F.U.N., 1970

Eduardo Paolozzi

A work made of watercolor, paint and charcoal, over black and white photo.

Untitled (Self-Portrait), 1971

Arnulf Rainer

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