Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of inkjet print on 100% rag photo paper.

Color(ed) Theory: Ultrasheen, 2014-15

Amanda Williams

A work made of relief engraving or photo relief etching on violet wove paper.

My Old Mother-in-Law is Always Ready to Scold without Any Reason, n.d.

Manuel Manilla

A work made of relief etching, photo-etching, and deep bite etching on oche rice paper, laid down on white wove paper (chine collée).

Heian Stones, 1977

Barbara S. Spitz

A work made of photo relief etching on pink wove paper.

El cancionero popular, num. 18 (The Popular Songbook, No. 18), 1910

José Guadalupe Posada

A work made of photo-etching on cream chine, laid down on white wove paper (chine collé).

Mother, 1983

Ana Mendieta

A work made of gelatin silver print, from the portfolio "don worth twelve photographs" (1957).

Leaf, Mount Tamalpais, 1957

Don Worth

A work made of relief impression from stereotyped plate or photo relief etching on tan wove paper.

La milagrosa imagen del Señor del Rescate (The Miraculous Image of Our Savior), 1903

José Guadalupe Posada

A work made of photo relief with letterpress in black and red on magenta cloth portfolio cover.

Portfolio Cover for Estampas de Yucatán, published by La Estampa Mexicana, 1946

Alfredo Zalce

A work made of photo-offset postcard on white wove paper.

100 Boots in the Park, 1973

Eleanor Antin

A work made of engraving, aquatint, open bite, embossing, and photo plate on cream wove paper.

Ozymandias, 1964

Letterio Calapai

A work made of albumen print.

Paris Fire (Ministry of Finance), from the series "Paris Incendié", May 1871

Charles Soulier

A work made of inkjet print.

Tia Chea's Foyer, Gazcue, Santo Domingo, R.D., 2010, printed 2021

groana melendez

A work made of gelatin silver print, from the portfolio "don worth twelve photographs" (1957).

Aspens, Colorado, 1957

Don Worth

A work made of color photo-etching from four plates on ivory wove paper.

Plate Three from Uruguayan Torture Series, 1983

Luis Camnitzer

The Legend of Sleepy Hollow

The Legend of Sleepy Hollow, 1928

Arthur Rackham

A work made of etching, aquatint, and photo-etching on ivory wove paper.

Button Man's First Flight, 1973

William H. Rawis

A work made of photo-offset postcard on white wove paper.

100 Boots in the Bush, 1973

Eleanor Antin

A work made of offset photolithographs on paper assembled into 54 accordion-style folded pages; enclosed in a silver mylar-covered slipcase.

Every Building on the Sunset Strip, 1966

Ed Ruscha

A work made of inkjet print.

Papi at Abuela’s, Villa Duarte, Santo Domingo, R.D., 2006

groana melendez

A work made of color photo-etching with hard ground etching on white wove paper.

The Inexorable Nature of Time, 1982

Vera Berdich

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