Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Photograph of a two-story house painted bright red, including the door, boarded windows, and porch posts, with only a small patch of blue above a window. The pitched roof is black. The house is set in the left side of the photograph, empty lots around it.

Color(ed) Theory: Flamin' Red Hots, 2014-15

Amanda Williams

A work made of relief etching, photo-etching, and deep bite etching on oche rice paper, laid down on white wove paper (chine collée).

Heian Stones, 1977

Barbara S. Spitz

A work made of relief engraving or photo relief etching on paper.

Long Live the Glorious 16th of September! Honor and Glory to the Priest from Dolores Don Miguel Hidalgo y Castilla, Initiator of our Independence. Long Live the Mexican Army!, 1899

José Guadalupe Posada

A work made of photo-offset postcard on white wove paper.

100 Boots Out of a Job, February 15, 1972, 4:45 p.m.; mailed September 18, 1972

Eleanor Antin

A work made of inkjet print on 100% rag photo paper.

Color(ed) Theory: Ultrasheen, 2014-15

Amanda Williams

A work made of relief engraving or photo relief etching on violet wove paper.

My Old Mother-in-Law is Always Ready to Scold without Any Reason, n.d.

Manuel Manilla

A work made of photo-etching on cream chine, laid down on white wove paper (chine collé).

Mother, 1983

Ana Mendieta

A work made of magazine.

PM Newspaper Promotional Publication, 1940/41

A work made of photo relief etching on pink wove paper.

El cancionero popular, num. 18 (The Popular Songbook, No. 18), 1910

José Guadalupe Posada

A work made of photo relief with letterpress in black and red on magenta cloth portfolio cover.

Portfolio Cover for Estampas de Yucatán, published by La Estampa Mexicana, 1946

Alfredo Zalce

A work made of relief impression from stereotyped plate or photo relief etching on tan wove paper.

La milagrosa imagen del Señor del Rescate (The Miraculous Image of Our Savior), 1903

José Guadalupe Posada

A work made of photo-offset postcard on white wove paper.

100 Boots in the Park, 1973

Eleanor Antin

A work made of inkjet print.

Tia Chea's Foyer, Gazcue, Santo Domingo, R.D., 2010, printed 2021

groana melendez

A work made of engraving, aquatint, open bite, embossing, and photo plate on cream wove paper.

Ozymandias, 1964

Letterio Calapai

A work made of color photo-etching from four plates on ivory wove paper.

Plate Three from Uruguayan Torture Series, 1983

Luis Camnitzer

The Legend of Sleepy Hollow

The Legend of Sleepy Hollow, 1928

Arthur Rackham

A work made of etching, aquatint, and photo-etching on ivory wove paper.

Button Man's First Flight, 1973

William H. Rawis

A work made of offset photolithographs on paper assembled into 54 accordion-style folded pages; enclosed in a silver mylar-covered slipcase.

Every Building on the Sunset Strip, 1966

Ed Ruscha

A work made of inkjet print.

Papi at Abuela’s, Villa Duarte, Santo Domingo, R.D., 2006

groana melendez

A work made of photo-offset postcard on white wove paper.

100 Boots in the Bush, 1973

Eleanor Antin

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