Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of engraving on ivory laid paper.

Ahajah’s Prophesy to Wife of Jeroboam, from Four Scenes from the Life of the Prophets, Isaiah, Ahajah and Elisha, 1604

Jan Saenredam

A work made of engraving on ivory laid paper.

Diana and Callisto, 1599

Jan Saenredam

A work made of engraving on ivory laid paper.

Diana and Callisto, 1599

Jan Saenredam

A work made of wool and linen; slit tapestry weave; edged with braided binding and plied warp fringe; embellished with woven cord.

Child's Tunic, 6th-8th century

A work made of carbon fiber and epoxy resin.

Coil Stool, 2013

Jonathan Muecke

A white chair without armrests made of links resembling hand-knotted macramé, supported by four thin, outward-set legs.

Knotted Chair, 1996

Marcel Wanders

A blocky chair, its back a rectangular slab of natural wood with a small chrome sphere at top. Emblazoned on the backrest in white and all caps is the word "Truth." The seat and front legs of the chair are painted black, and the seat has a metal handle on either side.

Truth Chair, 1987

Dan Friedman

A chair made from a car seat attached to a tubular scaffolding frame with semicircular forms making up armrests and feet.

Rover Car Chair, 1981

Ron Arad

A bench in the general shape of a sitting cow without a head or legs and a smooth, brown surface with rib and spine details.

"Janne" Cow-bench, 2012

Julia Lohmann

A work made of recycled cotton, glue, color, resin, and fiberglass.

The Idea of a Tree Bench, 2009

Mischer'Traxler Studio

A work made of carbon and kevlar fibers, and epoxy resin.

CS (Coiled Stool), 2013

Jonathan Muecke

A work made of plywood veneer.

Wilshire Medical Office Side Chair, c. 1943

Rudolph Michael Schindler

A work made of oiled charcoal with stumping, with touches of white chalk, on cream wove paper, perimeter mounted on off-white wood-pulp laminate board.

Palace La Granga, c. 1903

Joseph Pennell

A work made of pen and brown ink, brush and brown wash, and graphite on paper.

Title Page for the "Odes and Sonnets of John Keats", n.d.

Will Hicock Low

A work made of oiled charcoal with stumping and erasing, heightened with white chalk, on cream wove paper, perimeter mounted on off-white wood pulp laminate board.

The Long Gallery, Prado, c. 1903

Joseph Pennell

A work made of oiled charcoal with stumping and erasing, with traces of white chalk, on cream wove paper, perimeter mounted on off-white wood pulp laminate board.

Segovia, The Aqueduct from Market, c. 1903

Joseph Pennell

A work made of oiled charcoal with stumping, heightened with white chalk, on cream wove paper, perimeter mounted on off-white wood pulp laminate board.

It's Lanes of Palaces Terraced Round the Slope, Toledo, c. 1903

Joseph Pennell

A work made of oiled charcoal with stumping, on cream wove paper, perimeter mounted on off-white wood pulp laminate board.

Tall and Stately Churches, c. 1903

Joseph Pennell

A work made of oiled charcoal with stumping and erasing, heightened with touches of white chalk, on cream wove paper, perimeter mounted on off-white wood pulp laminate board.

San Martín, Segovia, c. 1903

Joseph Pennell

A work made of oiled charcoal with stumping and erasing, heightened with white chalk, on cream wove paper.

The Fountains Playing at La Granga, c. 1903

Joseph Pennell

<<<987988989990 >>>