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A work made of acrylic on canvas on wood.

Pendant Pair Painting (red/green), 2007

Morgan Fisher

A work made of wax on glass.

Mme. Sappé, 1750/75

Christopher Curtius

A work made of wax.

Old Man, 1750/75

Christopher Curtius

A work.

Portrait of Miss Stoneham, 1825

George Delamotte

A work.

Portrait of Miss Stoneham, 1825

George Delamotte

A work made of painted and gilded glass.

Entombment of Saint Catherine, 16th–17th century

Italian

A work made of watercolor on vellum.

Portrait of Mary of Modena, c. 1673

Nicholas Dixon

A work.

Portrait of a Gentleman, Late 17th century

Thomas Flatman

A work made of pieced cotton, polyester, cellulose acetate, silk, rayon and acrylic, plain weaves; some with supplementary warps some forming cut voided pile; some self-patterned by main warp and ground weft floats; some printed; plain weave derived float weave; twill weaves, some printed; satin weave; and machine knitting; backed with cotton, plain weave; quilted with cotton threads.

"Housetop"-nine block "Half-Log Cabin" Variation, About 1975

Jessie T. Pettway

A work made of chromogenic print.

Untitled #87, 1981

Cindy Sherman

A work made of earthenware with blue over white slip ground under a transparent glaze.

Shallow Bowl, Late 19th century

Islamic

A work made of patterned side: silk, plain weave; stenciled and resist dyed; lined with silk, plain weave; interlined with cotton, plain weave; silk, running "controlling" stitches along all edges; silk-wrapped cotton, knotted, re-plied fringe tassels.

Fukusa (Gift Cover), 1912/26, Taishô period (1912–1926)

A work made of silk and gold-leaf-over-lacquered-paper strip, slit tapestery weave (kossu); backed with silk, plain weave, creped wefts; tassels: painted and plied.

Uchishiki (Altar Cloth), late Edo period (1789–1868), 1801/25

A work made of gelatin silver prints (4) and chromogenic prints (2).

Pictures of Car Radios Taken while Good Music Was Playing (Ansichten von Autoradios, in denen gerade gute Musik spielt), 1970/90

Hans Peter Feldmann

A work made of cotton, 24 narrow woven strips with bands of warp-stripe plain weave with supplementary brocading wefts, and bands of weft-faced, warp-ribbed plain weave; joined; warp fringe.

Kente Wrapper, 1900/50

Ewe

A work made of raffia, plain weave; embroidered in stem stitches and running stitches cut to form pile.

Panel, Possibly mid–20th century

Mushenge

A work made of cotton, plain weave; resist-dyed; two panels joined.

Woman's Àdìre Eleso Wrapper, 1925/75

Yoruba

A work made of wool and linen, plain weave; embroidered with wool, silk, cotton and linen in chequered chain, double running, herringbone, threaded herringbone, pattern darning, satin and stem stitches; silk, cotton and linen wrapped cut tassels; top edge: linen and wool, weft twining; warp fringe wrapped with wool and embroidered with silk in compound cross stitches: lower edge: silk, centered weft twining; edged with cotton wrapped cord; silk and cotton wrapped cut tassels.

Headscarf, Early 20th century

Ida Ou Nadif

A work made of gelatin silver print.

2:40 a.m. Going to work, Mathysloop, KwaNdebele, 1984, printed c. 2012

David Goldblatt

A work made of gelatin silver print.

8:45 p.m. Going home, Marabastad–Waterval bus: 45 minutes to the terminal, 1984

David Goldblatt

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