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A work made of double sided, cotton and polyester, plain weaves, some printed, some fulled; pieced; polyester batting, quilted with cotton and polyester thread.

"Pinwheel" Quilt, c. 1975

Allie Pettway

A work made of ballpoint pen, felt-tip pen, pastel, graphite pencil, and colored pencil on cream wove paper.

Workbook D, 1972

Joseph Yoakum

A work made of ballpoint pen, felt-tip pen, pastel, graphite pencil, and colored pencil on cream wove paper.

Workbook C, 1972

Joseph Yoakum

A work made of ballpoint pen, felt-tip pen, pastel, graphite pencil, and colored pencil on cream wove paper.

Workbook B, 1972

Joseph Yoakum

A work made of ballpoint pen, felt-tip pen, pastel, graphite pencil, and colored pencil on cream wove paper.

Workbook A, 1972

Joseph Yoakum

A work made of oil on panel.

Trompe-l'Oeil Still Life with a Flower Garland and a Curtain, 1658

Adriaen van der Spelt

Three-part bronze sculpture set of two clenched hands and a man's face with closed eyes and mouth, an object in one hand.

Life Cast of the Hands and Face of Abraham Lincoln, Cast in plaster 1860; cast in bronze by 1888

Leonard Wells Volk

A work made of low-fire clay, underglazes, glazes, metal, gold leaf, luster, and glass.

La Linda Nasca, 2011

Kukuli Velarde

A work made of oil on masonite.

Desert Forms, 1957

Hughie Lee-Smith

A work made of slip-decorated earthenware.

Beer Vessel (Chomo), c. 1960s

Shipibo

A work made of schist.

Jaina Tirthankara Chandraprabha Standing in Meditation (Kayotsarga), 12th century

A colorful wedding scene with a dark-skinned bride in red and a groom in black at center, their backs to the viewer. A minister cloaked in black stands between them, a dense wall of flowers or perhaps a floral pattern behind him. The group is flanked by two figures and panels of geometric stained glass.

The Wedding, 1948

Jacob Lawrence

A light-skinned woman with lightish hair pulled back stands in partial profile, wearing an oversized wrap-around sweater with bell sleeves and a geometric print, hands together. She looks seriously at the viewer.

Gundvor Berg in Her Studio, 1926

André Kertész

A work made of box construction.

The Eagle, the Arrow, and the Dolphin, c. 1960

Joseph Cornell

A work made of bronze.

Violet Sargent, Modeled 1890, cast c. 1908

Augustus Saint-Gaudens

Bright abstract print featuring a geometric background in cream, black, and gray with semitransparent shapes superimposed upon it: two blue blobs, a red-brown oblong shape, and a prominent yellow rounded shape with three nearly circular holes in it.

Lyrique No. 19, 1952

Onchi Kōshirō

A tapestry depicting a fountain that features two nude females holding a platform on which another nude female lies, her arm around a moose.

The Petitions [right part], 1607/30

Antoine Caron

A work made of wool and silk, slit and double interlocking tapestry weave warp: count: 6 warps per cm; wool: s-ply of three z-spun elements; diameters: 0.7–0.9 mm weft; count: varies from 19 to 60 wefts per cm; wool: s-ply of two z-spun elements; diameters: 0.4–1.5 mm; silk; s-ply of two elements with no appreciable twist; paired elements with no appreciable twist; diameters: 0.3–1.0 mm.

Pluto and Proserpina with Falconry, c. 1600

Erasmus de Pannemaker, I

A work made of cotton, wool, and silk, slit and double interlocking tapestry weave.

Pomona, Figure design 1882, background design 1898, made 1906

Sir Edward Burne-Jones

A work made of wool and silk, slit and double interlocking tapestry weave.

The Crossing of the Granicus, from The Story of Alexander the Great, 1619

Karel van Mander, II

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