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A work made of earthenware with three-color (sancai) lead glazes.

Camel and Rider, Tang dynasty (618–907), first half of 8th century

A work made of pair of six-panel screens; ink, colors, and gold on paper.

Southern Barbarians, mid 17th century

An interior space with sliding panel doors at right leading to a glimpse of outdoor greenery. Pale wooden shelves and trim line the room, which features pale blue walls and minimal furniture.

E-31: Japanese Traditional Interior, c. 1937

Narcissa Niblack Thorne

A work made of oil on canvas.

Waterloo Bridge, Gray Weather, 1900

Claude Monet

A work made of oil on canvas.

Vétheuil, 1901

Claude Monet

Miniature room with two tall windows framing a small Cubist painting and a fireplace, two golden scuptures set before the windows. At right, a small red couch is flanked by two Lucite chairs. At left, an open glass door is flanked by oak chaises with red cushions. A plush cream rug fills the space.

A37: California Hallway, c. 1940, c. 1940

Narcissa Niblack Thorne

A work made of miniature room, mixed media.

A12: Cape Cod Living Room, 1750-1850, c. 1940

Narcissa Niblack Thorne

A work made of miniature room, mixed media.

E-29: English Roman Catholic Church in the Gothic Style, 1275-1300, c. 1937

Narcissa Niblack Thorne

A work made of miniature room, mixed media.

E-24: French Salon of the Louis XVI Period, c. 1780, c. 1937

Narcissa Niblack Thorne

A work made of miniature room, mixed media.

E-12: English Drawing Room of the Georgian Period, c. 1800, c. 1937

Narcissa Niblack Thorne

A small-scale room in gold and brown tones with several partial latticed wood walls leading back to a Buddhist altar.

E-30: Chinese Interior, Traditional, c. 1937

Narcissa Niblack Thorne

A work made of resin and gold plate.

Neo-Huaco #3 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?), 2017

Ana De Orbegoso

A work made of woodblock and silkscreen print.

Diary: March 31st, '78, 1978

Noda Tetsuya

A work made of reed pen and iron-gall ink on tan laid paper.

Avenue of Pollard Birches and Poplars, March 1884

Vincent van Gogh

A work made of black and white chalk, with brush and stumping, brush and black and gray wash, and traces of graphite, over a brush and brown ink underdrawing on ivory wove paper.

Weeping Woman, 1883

Vincent van Gogh

A work made of reed pen and black-brown ink, with black chalk on off-white wove paper.

Weeping Tree, 1889

Vincent van Gogh

Miniature parlor with two rooms divided by a wall opening. There is a large chandelier, gold-gilded frames and mirrors, and red and yellow upholstered wooden furniture.

A30: Georgia Double Parlor, c. 1850, c. 1940

Narcissa Niblack Thorne

Miniature of a cozy living room and kitchen in rich maple-colored wood tones, hardwood floors and wood paneling on the walls, a large brick fireplace and stove on the right. A cupboard on the back wall contains silver plates and mugs.

A1: Massachusetts Living Room and Kitchen, 1675-1700, c. 1940

Narcissa Niblack Thorne

A work made of pen and brown ink, with touches of pen and black ink, graphite and graphite frottage, and traces of black chalk, on grayish-white paper laid down on cardboard.

Tetards (Pollards), 1884

Vincent van Gogh

Lush tall grasses with small white flowers foreground a grove of bushy trees of varying types and heights, their leaves ranging from deep green to golden. Beneath a dense and heavy yellow sky, a small blue triangle suggesting a mountain peak crests above the treeline at far left.

The Poet's Garden, 1888

Vincent van Gogh

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