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A work made of wood-block print in black ink on thin, ivory japanese paper, laid face down on ivory wove paper (recto); wood-block print in yellow ocher ink on ivory wove paper (verso).

The Rape of Europa, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print in black ink on cream japanese paper (recto); wood-block print in black ink over blue and green pencil on cream japanese paper (verso)ck on cream wove paper.

Fox, Busts of Two Women, and a Rabbit, headpiece for Le sourire, 1899/1900

Paul Gauguin

A work made of wood-block print in black ink on moderately thick cream wove paper.

At the Black Rocks, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print in black ink on cream wove paper.

At the Black Rocks, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print in black ink on thin ivory japanese paper, laid down on ivory wove paper (discolored to cream).

Eve, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print printed twice in black and brown ink, with dry brush and gray and ocher watercolor, on cream japanese paper.

Memory of Meijer de Haan, 1896/97

Paul Gauguin

A work made of rubbing in brown on ivory tissue taken from a cylindrical wooden carving.

Hina, 1891–93

Paul Gauguin

A work made of etching with open bite applied with a reed pen on a zinc plate, in dark green ink with selective wiping, on cream wove japanese paper (a proofing paper).

The Woman with Figs, 1894, printed 1899

Paul Gauguin

A work made of wood-block print in black ink on thin ivory laid japanese paper.

Two Women Chattering, headpiece for Le Sourire, 1900

Paul Gauguin

A work made of wood-block print in black ink on thin ivory laid japanese paper.

Tahitian Woman, headpiece for Le sourire, 1899/1900

Paul Gauguin

A work made of wood-block print in black ink on thin ivory laid japanese paper.

Tahitians, Flowers, and Leaves, headpiece for Le sourire, 1899/1900

Paul Gauguin

A work made of color woodblock print; chuban.

Picking Persimmons, c. 1767/68

Suzuki Harunobu

A work made of wood-block print printed twice in ocher and black ink, with red-brown watercolor on brown laid japanese paper.

Two Maoris, 1896/97

Paul Gauguin

A work made of wood-block print printed twice in yellow ocher and black ink, on cream wove notebook paper ruled in blue.

Young Maoris, 1896/97

Paul Gauguin

A work made of graphite on ivory laid paper, squared in graphite for transfer.

Design for a Jardiniere: The Toilette, 1886/87

Paul Gauguin

A work made of black fabricated chalk on ivory laid paper.

Bust of a Young Breton Woman (Possibly Marie Lagadu), 1886/88

Paul Gauguin

A work made of wood-block print in black ink on thin ivory japanese paper.

Tahitian Carrying Bananas, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print, printed in reddish-brown and black ink on ivory wove paper (previously mounted on mottled blue wove paper laid down on cream wove card [a presentation mount]).

Auti te pape (Women at the River), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of wood-block print in black ink on thin ivory japanese paper, partially laid down on white japanese paper.

Te arii vahine—opoi (Woman with Mangos—Tired), from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print, printed three times in reddish-brown, black, and light black ink, with touches of brush and black gouache and silver-gray watercolor (altered from black), on ivory laid japanese paper, laid down on ivory wove japanese paper (a laminate made by the artist).

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from the Noa Noa Suite, 1893/94

Paul Gauguin

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