Curator

Art Institute Chicago
Harvard art museum
My Exhibition

Close-up view of the face of a medium brown–skinned man cupping his chin in his hand, his eyes closed. The brushstrokes are visible and his features are somewhat exaggerated and disproportionate. He is set against a light green background.

Barack, 2020

Jordan Casteel

A carving in tan-and-white stone of the upper body of a pharaoh wearing an elaborate headdress.

Facade Panel from the National Pythian Temple, Chicago, Illinois, c. 1927 (demolished 1980)

Walter T. Bailey

A work made of slip-decorated earthenware.

Beer Vessel (Chomo), c. 1960s

Shipibo

A work made of ballpoint pen, felt-tip pen, pastel, graphite pencil, and colored pencil on cream wove paper.

Workbook D, 1972

Joseph Yoakum

A work made of ballpoint pen, felt-tip pen, pastel, graphite pencil, and colored pencil on cream wove paper.

Workbook C, 1972

Joseph Yoakum

A work made of ballpoint pen, felt-tip pen, pastel, graphite pencil, and colored pencil on cream wove paper.

Workbook B, 1972

Joseph Yoakum

A work made of ballpoint pen, felt-tip pen, pastel, graphite pencil, and colored pencil on cream wove paper.

Workbook A, 1972

Joseph Yoakum

A work made of box construction.

The Eagle, the Arrow, and the Dolphin, c. 1960

Joseph Cornell

A work made of oil on panel.

Trompe-l'Oeil Still Life with a Flower Garland and a Curtain, 1658

Adriaen van der Spelt

Gundvor Berg in Her Studio, 1926

André Kertész

A work made of low-fire clay, underglazes, glazes, metal, gold leaf, luster, and glass.

La Linda Nasca, 2011

Kukuli Velarde

A work made of oil on masonite.

Desert Forms, 1957

Hughie Lee-Smith

A work made of schist.

Jaina Tirthankara Chandraprabha Standing in Meditation (Kayotsarga), 12th century

A colorful wedding scene with a dark-skinned bride in red and a groom in black at center, their backs to the viewer. A minister cloaked in black stands between them, a dense wall of flowers or perhaps a floral pattern behind him. The group is flanked by two figures and panels of geometric stained glass.

The Wedding, 1948

Jacob Lawrence

A work made of bronze.

Violet Sargent, Modeled 1890, cast c. 1908

Augustus Saint-Gaudens

Bright abstract print featuring a geometric background in cream, black, and gray with semitransparent shapes superimposed upon it: two blue blobs, a red-brown oblong shape, and a prominent yellow rounded shape with three nearly circular holes in it.

Lyrique No. 19, 1952

Onchi Kōshirō

A tapestry depicting a fountain that features two nude females holding a platform on which another nude female lies, her arm around a moose.

The Petitions [right part], 1607/30

Antoine Caron

A work made of wool and silk, slit and double interlocking tapestry weave
warp: count: 8 warps per cm; wool: s-ply of three z-spun elements; diameter: 0.8–1.0 mm
weft: count: varies from 17 to 30 wefts per cm; wool: s-ply of two z-spun elements; diameters: 0.3–1.0 mm; silk: three yarns of s-ply of two z-twisted elements; diameters: 0.6–1.0 mm; wool and silk: paired yarns of s-ply of two z-spun wool elements and s-ply of two z-twisted silk elements; diameters: 0.5–1.2 mm.

Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus, c. 1650

Jan van Leefdael

A work made of wool and silk, slit and double interlocking tapestry weave
warp: count: 7 warps per cm; wool: s-ply of three z-spun elements; diameters: 0.7–0.9 mm
weft: count: varies from 17 to 30 wefts per cm; wool: s-ply of two z-spun elements; pairs of s-ply of two z-spun elements; diameters: 0.5–1.2 mm; silk: pairs of s-ply of two z-twisted elements; diameters: 0.5–1.2. mm.

Venus and Adonis (?) with the Duck Hunt, c. 1600

Jacques Geubels, I

A work made of wool and silk, slit and double interlocking tapestry weave.

The Feast [central part], from The Story of Artemisia, 1607/30

Antoine Caron

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