Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of etching and drypoint in black on white wove paper.

Composition, 1938

Joan Miró

A work made of oil and metal fasteners on sandpaper, mounted on canvas, with feathers.

Man, Woman, and Bulls, 1935

Joan Miró

A work made of earthenware.

Stone, 1955

Joan Miró

A work made of gouache and black crayon, with watercolor and touches of brown crayon, over traces of charcoal, on off-white wove paper.

Persons Haunted by a Bird, 1938

Joan Miró

A work made of color woodcut on white wove paper.

Composition, 1958

Joan Miró

A work made of lithograph on white wove paper.

Homage to Helion, 1976

Joan Miró

A work made of painted plaster.

Star-pod Fragment From the Proscenium Vault of the Garrick Theater, Chicago, Illinois, 1891–92 (demolished 1961)

Adler & Sullivan, Architects

A work made of variable media.

Health Sciences Center, Stony Brook, New York, Working Drawings, 1965/81

Bertrand Goldberg

A work made of oil on canvas.

Buoy, 1941

Peter Blume

Deep earthenware soup bowl with two swirly designed handles and cover topped with a flower shaped element. The bowl is decorated in black with griffin and palmette pattern on rim and with a scene in an oval depicting a running male figure in a winged helmet handing a baby over to the lady sitting on the ground.

Vase in the Form of a Bronze Wine Vessel, with Dragons, Waves, and Trigrams, Ming dynasty (1368–1644), Wanli reign mark and period (1573–1620)

Serene red-haired woman, framed with allegorical symbols of red bird, sundial.

Beata Beatrix, 1871–72

Dante Gabriel Rossetti

A work made of wood, antique micro-seed beads, micro-porcupine quills, metal sequins, catlinite, shell, brass, metal, chicken feathers, hair, paint, cotton, wool, fabric, deer skin, antler, horn, and bells.

Lakota Honor - Sees The Horses Woman - SuWakan Ayutan Win, 2011-23

Rhonda Holy Bear, Wakah Wayuphika Win, Making with Exceptional Skills Woman

A work made of black ballpoint pen and graphite on cream wove card.

Untitled, 1971

Christina Ramberg

A work made of wood, hide, hair, beads, feather, and pigment.

Assiniboine Scalp Shirt Wearer, c. 1986

Rhonda Holy Bear, Wakah Wayuphika Win, Making with Exceptional Skills Woman

Painting of a placid-looking, light-skinned woman in a maroon dress, seated in a chair with yellow upholstery, hands folded.

Madame Cezanne in a Yellow Chair, 1888-90

Paul Cezanne

A work made of colored crayons, with graphite and brush and gray wash, on off-white wove paper.

Untitled, 1967

Theodore Halkin

A work made of pen and black ink and watercolor, with collage of cut-and-pasted tan wove papers, on ivory wove paper, mounted.

Untitled, 1952

Evelyn Statsinger

Sculpture of a head with a flat nose, almond-shaped eyes with half-closed lids, and a small smile with a missing tooth. The figure's hair is almost architectural, jutting out at right angles in five massive spirals of twisted hair as wide as the face itself.

Headdress, Probably first half of the 20th century

A brightly colored textile work shows two women on either side and a dog in between them. The woman on the left is light-skinned and dances—her arms upraised, her right leg bent behind her—in a vibrant pink leotard. The other woman—dark-skinned with dark hair radiating from her head at all angles and wearing a dark blue full body suit—stands facing forward, looking at the viewer with a finger raised at us.

Black Dog Blues, 1983

Emma Amos

A sculpture comprises a featureless face made up of a mottled black and white substance, a short Afro hairstyle in a dark blue-green hue, and a slender dark neck from which a raffia skirt expands down to the top of the pedestal. Behind the sculpture, paneled glass windows look through to other buildings and a hint of green treetops.

Dunham, 2017

Simone Leigh

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