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A work made of cotton, needle lace of a type known as "point de gaze".

Borders, 1850s/60s

A work made of linen, raised needle lace.

Collar and Cuffs (From a Border), Late 17th century

A work made of leather and wood.

Clog (Single), 1830/60

A work made of wool, plain weave, tied and free double cloth.

Carpet Fragment, 1870s

A work made of cotton, double-faced two-color complementary weft twill weave; fulled.

Blanket, 1945/49

A work.

Tassel, A.D. 1000/1476

A work made of carved sandalwood.

Fan, 19th century

A work made of kid leather with scalloped edges and white buttons.

Pair of Startups (Half Boots), c.1870

A work made of plain compound cloth.

Fragment, Late 18th century

A work made of cotton, plain weave; copperplate printed.

La Route de Lillebonne (The Road to Lillebonne) (Furnishing Fashion), after 1822

Horace Vernet

A work.

Panel, 18th century

A work made of linen, bobbin straight lace of a type known as "valenciennes" with round valenciennes mesh ground.

Border, 1760s

A work.

Edge, 19th century

A work made of heavy gold embroidery with wired gold lace.

Headdress, 19th century

A work made of paper.

Waistcoat Design, 1830s/40s

A work made of rayon, linen, and acrylic, plain weave.

Venice (Furnishing Fabric), 1955

Angelo Testa

A brightly colored printed fabric shows the repeating image of a barn and white house surrounded by trees and foliage in shades of green, yellow, brown, and purple. Farm animals, including cows and horses, are seen throughout, as are numerous human figures.

Childhood Home (Furnishing Fabric), c. 1952

Grandma Moses (Anna Mary Robertson Moses)

A work made of carved wood, treated in a variety of techniques.

Six Printing Blocks, before 1850

A work made of silk, plain weave with supplementary patterning wefts; embroidered with silk floss in satin, single satin, and stem stitches; french knots.

Man's Full-length Coat, c. 1790

A work made of cotton, plain weave; printed.

Panel, c. 1850/60

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