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A work made of etching on paper.

A Woman with her Arms in Chains and Four Other Figures, from Capricci, 1740/50, published 1785

Giovanni Battista Tiepolo

A work made of etching on paper.

A Woman with her Hands on a Vase, Soldier, and Slave, from Capricci, 1740/50

Giovanni Battista Tiepolo

A work made of etching on paper.

Standing Philosopher and Two Other Figures, from Capricci, 1740/50

Giovanni Battista Tiepolo

A work made of pen and brown ink with brush and brown wash, over black chalk, on ivory laid paper.

Fantasy on the Death of Seneca, 1735/40

Giovanni Battista Tiepolo

A work made of brush and brown ink and brush and brown wash, over traces of black chalk, on ivory laid paper, laid down on tan wove paper.

Two Monks Contemplating a Skull, c. 1730–35

Giovanni Battista Tiepolo

A work made of etching on off-white laid paper.

Adoration of the Magi, c. 1740

Giovanni Battista Tiepolo

A work made of etching printed in black on paper.

The Discovery of the Tomb of Punchinello, from Scherzi, 1735–40

Giovanni Battista Tiepolo

A work made of oil on panel.

The Raising of Lazarus, c. 1630

Follower of Rembrandt van Rijn

A work made of oil on canvas.

Jacob's Farewell to Benjamin, c. 1655

Follower of Rembrandt van Rijn

A work made of pen and brown ink on cream laid paper.

The Supper at Emmaus, 1626/69

Follower of Rembrandt van Rijn

A work made of pen and brown ink on cream laid paper.

Copy after the Levite and the Violated Woman, mid-17th century

Follower of Rembrandt van Rijn

A work made of pen and brown ink, with brush and brown wash and touches of graphite, on pieced cream laid paper.

Scipio Returning the Spanish Bride to Her Family, c. 1640

Follower of Rembrandt van Rijn

A work made of black chalk, with touches of black crayon, heightened with white chalk (recto), and black chalk heightened with white chalk (verso), on blue laid paper.

Seated Male Nude (recto); Sketches of Hand and Boy'd Head (verso), n.d.

School of Rembrandt van Rijn

A work made of pen and brown ink, with touches of brush and brown ink wash, on cream laid paper.

Woman Seated on Bench and Three Sketches of Heads, n.d.

School of Rembrandt van Rijn

A work made of pen and brown ink, with brush and brown wash, on cream laid paper.

The Degradation of Haman before Ahasuerus and Esther, 1630s

School of Rembrandt van Rijn

A work made of gelatin silver print.

Alfred Stieglitz at an American Place, New York City, 1935

Ansel Adams

A work made of 12 gelatin silver prints.

Taos Pueblo, 1920/30

Ansel Adams

A work made of gelatin silver print.

Church at Ranchos de Taos (Built in 1772), pl. 12 from the album "Taos Pueblo" (1930), c. 1929

Ansel Adams

A work made of gelatin silver print.

North House, Kiva Poles and Thunder Clouds, pl. 11 from the album "Taos Pueblo" (1930), 1920/29

Ansel Adams

A work made of gelatin silver print.

South House, Woman Winnowing Grain, pl. 10 from the album "Taos Pueblo" (1930), 1920/29

Ansel Adams

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