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A work made of oil on canvas.

Composition, 1954

Serge Poliakoff

A work made of watercolor with opaque and metallic gold watercolor over pen and crimson and black ink with a swatch of compound twill satin, plain weave, on brown wove paper.

Fragment Supplemented with Drawing, 14th century and 19th century

Paul Schultze

A work made of 289 small squares of silk, 7:1 satin damask weave, 7:1 satin weave, 4:1 satin damask weave, 4:1 satin weave, 4:1 satin weave self-patterned by areas of plain weave, and 3:1 twill weave self-patterned by areas of plain weave and plain weave; pieced; edged with silk and gold-leaf-over-lacquered-paper strips, 4:1 satin weave with supplementary patterning wefts and silk and gold-leaf-over-lacquered-paper strips, 7:3 float weave self-patterned by ground weft floats.

Square, 18th century, late Ming dynasty (1368–1644)/ early Qing dynasty (1644–1912)

A work made of pen and iron gall ink on ivory laid paper.

Saint Matthew and the Angel, n.d.

Guercino, School of

A work made of color woodblock print.

Chongseokjeong, from the series "Eight Views of Korea" (Chosen hakkei, Sosekitei), October 1939

Kawase Hasui

A black-and-white image of a window with an asymmetrical geometric gridded pattern in a wooden frame.

Emil Bach House, Chicago, Illinois: Window, c. 1915

Frank Lloyd Wright

A work made of colored leaded glass in bronze metal frames with lotus pattern.

Porthole Windows from Illinois Athletic Club, 1908 (remodeled 1989)

Barnett Haynes and Barnett

A work made of ink and ink wash on drawing paper.

Orders of Architecture, Greek Doric Order from the Parthenon, Elevation, March 28, 1870

Carl (Charles) J. Furst

A work made of leaded glass window; clear, green, and opaque glass in lead cames; mounted in black wood frame with plexiglas shield.

Coonley, Avery, House: Leaded Glass Window, 1908

Frank Lloyd Wright

Floating Airport Visionary Megastructure, Presentation Design Drawings

Floating Airport Visionary Megastructure, Presentation Design Drawings, 1968

Stanley Tigerman

A work made of graphite and water color on arches watercolor paper.

Villa in the Sky, Presentation Drawings, 1987–1989

Martin Lockwood-Bean

A drawing of the front of a three-story building with arched windows, an arched doorway, and a flat roof. The space above the door reads "Stewart Bentley" with the numbers 114 and 112.

Stewart–Bentley Building, Chicago, Illinois, Elevation and Exterior Wall Section, 1872

Carter, Drake and Wight

A work made of graphite on tablet.

A Week–End Lodge in Wooded Terrain, Sketch, 1941

Ludwig Mies van der Rohe

A work made of ink and graphite on polyester film.

The Chicago Stock Exchange Trading Room, Chicago, Illinois, Axonometric, 1977

Vinci & Kenny

A work made of ink, watercolor, gouache, and graphite on paper.

Student Project, Wall Fountain, Perspective, c. 1927

Mary Ann E. Crawford

Bloomington Hospital Addition, Bloomington, Indiana, Elevation

Bloomington Hospital Addition, Bloomington, Indiana, Elevation, 1981

Schmidt, Garden and Erikson

A work made of charcoal and graphite on tracing paper.

Ziegfield Fashion Theatre, "Tertium Quid," Chicago, Illinois, Presentation Drawing, 1930

Henry T. Harringer

A work made of graphite on clearprint 1000h white tracing paper with sheet number inked at top right corner of each sheet.

Townhouse Competion, Seven Veils of Architecture, Competition Entry Presentation Drawings, 1980

Stephen Wierzbowski

A work made of various.

National Gallery Competition, London, England, Competition Entry Sheets, 1982

Skidmore, Owings & Merrill

A work made of watercolor over traces of graphite on cream wove paper.

Small Residence, Perspective Study, 1933

George Fred Keck

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