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A work made of brush and black ink and wash, over graphite, on ivory laid paper, pieced in the lower left.

Sketches from “The Gypsies,” “The Spanish Ballet,” and “Lola de Valence” for “L’Autographe au Salon de 1865”, 1865

Édouard Manet

Third Quartet

Third Quartet, 1988

Mel Bochner

Second Quartet

Second Quartet, 1988

Mel Bochner

First Quartet

First Quartet, 1988

Mel Bochner

An abstracted painting of a pink girl, arms and legs outstretched, rendered in dark-brown lines and circles against a brown background, with scattered stick drawings around her. The lines are illuminated by surrounding points of color in yellow, orange, green, pink, and beige.

Dancing Girl, 1940

Paul Klee

A work made of gilded beechwood, gilt bronze, and velvet.

Sofa, 1807

Augustus Welby Northmore Pugin

A work made of rayon and cotton, warp-float faced 7:1 satin weave with self-patterning ground wefts bound in satin and plain weave derived alternating float weave; woven on loom with jacquard attachment.

Fountains and Palm Fronds, c. 1926

F. Schumacher & Co.

A work made of chromogenic color prints (12) and silkscreens (2), from the portfolio "artists & photographs" (1975).

Daguerre Soup (La Soupe de Daguerre), 1975

Marcel Broodthaers

A work made of cotton, plain weave, block printed.

Gazelles, 1929/30

Paul Poiret

A work made of polyester and rayon, tied and free double cloth of plain and twill weaves self-patterned by main warps and ground wefts; two selvages present.

French Tercet (Blanket), 1995

Kristie Strasen

A work made of polyester and rayon, double-faced complementary warp and weft warp chevron twill weave.

Florentine Brocade (Blanket), 1995

Kristie Strasen

A work made of polyester and rayon, warp-float faced satin weave self-patterned by areas of twill and plain interlacings.

Brocatelle (Blanket), 1995

Kristie Strasen

A work made of polyester and rayon, palin weave with supplementary patterning wefts and self-patterned by main warp and ground weft floats.

Grosgrain Rib (Blanket), 1995

Kristie Strasen

A work made of linen, plain weave; screen printed.

Panel, 1930s

Donald Deskey

A work made of linen, plain weave, block printed with surface paint corrections.

Panel (Furnishing Fabric), 1955

Ling Po

A work made of cotton, plain weave; block printed.

Antelopes, 1929/30

Paul Poiret

A work made of cotton and rayon, warp-float faced satin weave with supplementary patterning wefts tied by secondary binding warps in plain interlacings and self-patterned by ground weft floats.

Modern Damask (Sample), 1951

F. Schumacher & Co.

A work made of linen and cotton, two-color complementary wefts in plain, twill, and satin weaves.

Sample, 1925/75

F. Schumacher & Co.

A work made of cotton, plain weave with self-patterning complementary ground wefts bound by secondary binding warps in plain interlacings.

Sample, 1930s (produced 1950s)

Paul Follot

A work made of cotton wool and rayon, plain and twill weaves of complementary warps and self-patterning complementary ground wefts.

Sample, 1925/75

F. Schumacher & Co.

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