Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of bronze.

"Iota" Candlestick with Separate Bobeche, c. 1904

Robert Riddle Jarvie

A work made of oil on canvas.

Saint John the Baptist in the Wilderness, c. 1622

Diego Velázquez

A work made of color screenprint on ivory wove paper.

Double Standard, 1969

Ed Ruscha

A work made of color screenprint on ivory wove paper.

Cheese Mold Standard with Olive, 1969

Ed Ruscha

A work made of color screenprint on ivory wove paper.

Standard Station, 1966

Ed Ruscha

A work made of color screenprint on ivory wove paper.

Moca Standard, 1969

Ed Ruscha

A framed glass window with two vertical geometric forms dividing the plane, shades of green and yellow scattered in the design.

Gerald Mahony House Window, 1907 (demolished 1965)

Marion Mahony Griffin

A work made of box construction.

Untitled (Forgotten Game), c. 1949

Joseph Cornell

A work made of lithograph in yellow, blue, red and black on japanese paper.

Small Worlds II, plate two from Kleine Welten, 1922

Vasily Kandinsky

A work made of lithograph in color, from four stones, on ivory wove paper.

Orange, 1923

Vasily Kandinsky

Painting of vibrantly colored shapes and lines intersecting and overlapping.

Painting with Green Center, 1913

Vasily Kandinsky

A work made of etching and aquatint with lavis, stopping-out, scraping, and burnishing, on moderately thick, smooth, cream simulated japanese vellum.

Fly Fishing, Saranac Lake, 1889

Winslow Homer

A work made of transparent watercolor, with touches of opaque watercolor, rewetting, blotting and scraping, over graphite, on thick, moderately textured (twill texture on verso), ivory wove paper (left, right and lower edges trimmed).

Life-Size Black Bass, 1904

Winslow Homer

A work made of transparent watercolor, with traces of opaque watercolor, blotting, and scraping, over graphite, on thick, rough-textured, ivory wove paper.

The Rapids, Hudson River, Adirondacks, 1894

Winslow Homer

A work made of transparent watercolor, heightened with opaque white watercolor, with rewetting, blotting, and scraping, over graphite, on moderately thick, slightly textured, cream wove paper.

Netting the Fish, 1889

Winslow Homer

A work made of silver gilt and porphyry.

Double-Sided Pendant Reliquary Cross, Interior cross: c. 600-c. 900; pendant: c. 1500, with later additions

A work made of watercolor with opaque watercolor, scraping, and wiping, and fabricated charcoal with stumping, on thick, rough-textured, ivory wove paper (all edges trimmed).

The Red Sun, Brooklyn Bridge, 1922

John Marin

A work made of watercolor with blotting, black pencil, and charcoal on moderately thick, slightly textured, off-white wove paper (trimmed top edge), in original frame.

The Pine Tree, Small Point, Maine, 1926

John Marin

Death of Virgin, from Book of Hours

Death of Virgin, from Book of Hours, n.d.

Philippe Pigouchet

A work made of gelatin silver print.

We Will Not Become What We Mean to You, 1983

Barbara Kruger

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