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A work made of pen and brown ink with brush and brown wash, with touches of red chalk and white heightening, on tan laid paper.

A Path in the Woods, n.d.

Philips de Koninck

A work made of etching with plate tone on white wove paper.

Sailboat, 1932

John Marin

A work made of watercolor with blotting and rewetting, on lightweight, slightly textured, off-white wove paper (top and lower edges trimmed).

Spring (Montbarbin), 1909

John Marin

A work made of internal dye diffusion transfer print.

Unidentified Woman (High Forehead, Thin Eyebrows), March 1980

Andy Warhol

A work made of gelatin silver print.

The Guaranty (now Prudential) Building, Buffalo, New York, 1894–95, 1951/52, printed later

John Szarkowski

A work made of gelatin silver print.

The Farmers and Merchants Union Bank, Columbus, Wisconsin, 1919, 1954, printed later

John Szarkowski

A work made of watercolor with blotting and graphite on thick, slightly textured, off-white wove paper, folded (top and right edges trimmed).

Marin Island, 1915

John Marin

A work made of etching with plate tone on ivory wove paper.

Brooklyn Bridge, No. 6 (Swaying), 1913

John Marin

A work made of gelatin silver print.

The Chicago Stock Exchange (later 30 North LaSalle Building), 1893–94, 1954

John Szarkowski

A work made of watercolor with rewetting, blotting, wiping, and touches of scraping, over touches of graphite, on thick, rough-textured, ivory wove paper (lower and right edges trimmed).

The Brook, 1910

John Marin

A work made of colored crayons with frottage and graphite on lightweight, smooth, ivory wove paper.

House with Hedges and Path, 1914/15

John Marin

A work made of graphite on lightweight, smooth, tan wove paper, laid down on ivory wove card (all edges trimmed).

Pedestrians on Brooklyn Bridge, 1920/29

John Marin

A work made of watercolor with blotting and scraping, over graphite, on medium-weight, moderately textured, ivory wove paper (all edges trimmed), laid down on wood-pulp laminate board.

Buildings, One with Tower, 1910

John Marin

A work made of red chalk, with touches of stumping, on cream laid paper.

Jupiter, Neptune and Pluto Paying Homage to the Coat of Arms of Cardinal Borghese, early 1640s

Simone Cantarini

A work made of internal dye diffusion transfer print.

Caroline Law, August 1975

Andy Warhol

A work made of watercolor, with stippling and pen and black ink, on white wove paper, laid down on cream wove card.

The Light on the Balcony, 1925

Paul Klee

A work made of gelatin silver print.

The Guaranty (now Prudential) Building, Buffalo, New York, 1894–95, 1951/52

John Szarkowski

A work made of gelatin silver print.

The Guaranty (now Prudential) Building, Buffalo, New York, 1894–95, 1951/52

John Szarkowski

A work made of watercolor with rewetting and touches of blotting, on thick, slightly textured, off-white wove paper (left and lower edges trimmed).

The Little Tree, Maine, 1914

John Marin

A work made of gelatin silver print.

The Chicago Stock Exchange (later 30 North LaSalle Building), 1893–94, 1954

John Szarkowski

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