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A work made of gelatin silver print.

Schlesinger & Mayer Department (later Carson Pirie Scott & Co.) Store, Chicago, Illinois, 1899–1904, 1954

John Szarkowski

A work made of engraving in black on ivory laid paper.

Melencolia I, 1514

Albrecht Dürer

A work made of double-sided drawing of soot and saliva, applied with sharpened stick and smudging, on found card, creased (unfolded box).

Untitled, n.d.

James Castle

A work made of soot and saliva, applied with sharpened stick and smudging, on found paper.

Untitled, 1950/77

James Castle

A work made of soot and saliva, applied with sharpened stick and smudging, with crayon and blue ink, on found paper, folded and wrapped around card.

Untitled (Blonde figure no. 2), n.d.

James Castle

A work made of watercolor with blotting, fabricated charcoal, and charcoal wash, on moderately thick, moderately textured, ivory wove paper.

From Bold Island, Maine, 1923

John Marin

A work made of graphite on ivory wove paper.

Binfield Rectory and Church, Berkshire, 1816

John Constable

A work made of pen and black ink on ivory wove paper.

Crouching Midget, 1892/98

Aubrey Vincent Beardsley

A work made of gilt bronze with ivory, semiprecious stones, crystal, and glass.

Votive Plaque with God Vishnu, 19th century

A work made of watercolor with blotting, wiping, and touches of scraping, and with black and brown colored pencils, on moderately thick (estimated), moderately textured, ivory wove paper (top, right and lower edges trimmed), hinged to paper prepared with a black wash, with a decorative paperboard collar gilt with silver leaf, laid down on wood-pulp board faced with cream wove paper, in original frame.

Movement No 23–The Sea and Pertaining Thereto, 1927

John Marin

A work made of brush and black ink on cream wove paper.

Gertrude Stein, 1930

Pavel Tchelitchew

A work made of pen and brush and black ink, over traces of graphite, on ivory wove paper, laid down on board.

Virgilius the Sorcerer, c. 1893

Aubrey Vincent Beardsley

A work made of watercolor and gouache, with black crayon and graphite, on cream wove paper, laid down on grayish-tan card.

Wanguru House, M'Honde, East Africa, n.d.

Stephen Haweis

A work made of soot and saliva, applied with sharpened stick, on found card prepared with colored paper pulp (pulp painting).

Untitled, n.d.

James Castle

A work made of soot and saliva, applied with sharpened stick and smudging, with crayon and blue ink, on found paper, folded and wrapped around card.

Untitled (Blonde figure no. 4), n.d.

James Castle

A work made of soot and saliva, applied with sharpened stick and smudging, with crayon and blue ink, on found paper, folded and wrapped around card.

Untitled (Blonde figure no. 3), n.d.

James Castle

A work made of soot and saliva, applied with sharpened stick and smudging, with crayon and blue ink, on found paper, folded and wrapped around card.

Untitled (Blonde figure no. 1), n.d.

James Castle

A work made of plant fibers, red woodpecker and quail feathers, and abalone-shell and clamshell beads.

Feathered Gift Basket, 1880–90

Pomo

A work made of brush and brown wash, over graphite, on cream wove paper laid down on tan wove paper.

Boats in a Harbor, c. 1824

Richard Parkes Bonington

A work made of graphite with white gouache on gray wove paper, laid down on board.

Ruins of Archway, c. 1827

Richard Parkes Bonington

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