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  • Art Institute Chicago
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A work made of oil and crayon on hardboard panel.

Untitled, n.d.

Max Ernst

Painting of a woman in a dressing room reclining on an upholstered chair, her legs raised on a wooden chair, surrounded by costumes.

Waiting to Go On Stage, n.d.

Laura Knight

A watercolor and ink drawing of three ballerinas stretching and preparing before a closed stage curtain, a man wearing a suit standing beside them with crossed arms, and two figures in partial silhouette entering the darkened wings at left.

Before the Act, n.d.

Laura Knight

A work made of black and blue crayon on tan wove paper.

The Cortege of the Rajah, c. 1895

Henri de Toulouse-Lautrec

A work made of pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card.

Panel Four from "The Incredible Bulk", January 1979

Angelo Torres

A work made of pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card.

Panel Two from "The Incredible Bulk", January 1979

Angelo Torres

A work made of double-sided drawing of soot and saliva, applied with sharpened stick and smudging, on found card.

Untitled, n.d.

James Castle

A work made of soot and saliva, applied with sharpened stick and smudging (recto and verso) on ivory card.

Untitled (recto and verso), n.d.

James Castle

A work made of transfer lithograph in black ink on grayish ivory china paper laid down on ivory wove paper.

Portrait of Dr. Whistler, No. 2, 1894

James McNeill Whistler

A work made of watercolor on off-white wove paper.

View on the Wensum at King Street, Taken from Foundary Bridge, 1810/18

John Thirtle

A work made of chromogenic print.

After a Flash Flood, Rancho Mirage, California, July 1979, from the series "American Prospects", July 1979, printed September 1987

Joel Sternfeld

A work made of pen and black ink, over traces of graphite, on ivory wove paper, laid down on tan wove paper.

Man with Drum, c. 1893

Aubrey Vincent Beardsley

A work made of pen and brown ink and brush and brown wash, on ivory laid paper, perimeter mounted to blue-gray laid paper.

Windmill Near the Hague, n.d.

Jan de Bisschop

A work made of pen and ink on ivory wove paper.

Man with Skull, 1892/98

Aubrey Vincent Beardsley

A work made of graphite, on ivory wove paper.

The Artist's Father Reading, c. 1883

Mary Cassatt

A work made of pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card.

Panel Three from "The Incredible Bulk", January 1979

Angelo Torres

A work made of dye imbibition print, from the portfolio "portfolio ii iceland" (1975).

Moss, Waterfall, Cinders, Near Mt. Hekla, Iceland, June 26, 1972

Eliot Porter

A work made of chromogenic print.

Rustic Canyon, Santa Monica, California, from the series "American Prospects", May 1979, printed June 1986

Joel Sternfeld

A work made of carved linoleum and wood.

Printing Blocks for Trees, 1954

Eleanor Kluck

A work made of watercolor, and pen and blue, red and gray inks, on cream wove paper.

View in the St. Gotthard Pass, Switzerland, 1842

Joseph Mallord William Turner

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