Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of hard-paste porcelain, enamels, gilding.

Cup, 1750–70

Chinese export porcelain

A work made of lithograph on cream wove paper.

The Water Hole, c. 1941

Peter Hurd

A work made of etching and aquatint on ivory wove paper.

A Frog he would a-wooing go I, 1989

Paula Rego

A work made of lithograph in black, gray and pale yellow on white wove paper.

Pyre 2, 2004

Jasper Johns

A work made of schist.

God Vishnu's Mount, Garuda, Standing with Hands in Gesture of Adoration (Anjalimudra), 11th century or earlier

A work made of pen and gray ink on cream wove paper.

Untitled, 1966

Dado

A work made of offset lithograph.

This Is the Enemy, 1942

Karl Koehler

A work made of oil on panel.

Portrait of a Young Artist, c. 1500

German

A work made of andesite.

Simian Mother and Child, 13th century

A work made of oil on panel.

Portrait of Leonhard Fuchs, 1525

German

A work made of color lithograph on ivory wove paper.

Sleeping Child, c. 1949

Max Kahn

A work made of etching on ivory laid paper.

The Raising of Lazarus, c. 1649

Giovanni Benedetto Castiglione

A work made of collage of photocopies, cut-and-tipped to white paper, in artist's frame.

Small Landscape with Cut Trees, 2005

Dean Byington

A work made of brush and black acrylic ink on ivory wove paper.

Untitled, 2005

Mark Booth

A work made of charcoal and conté crayon, with wiping, smudging and erasing, on ivory wove paper.

Pine Cone #16, 1982

Terry Winters

A work made of diazo print in purple on cream wove paper, discolored to tan.

Predicta (Media Burn Storyboard), 1975

Ant Farm

A work made of brush and gray wash on ivory wove paper.

Bullfight, October 18, 1960

Pablo Picasso

A work made of engraving in black on cream laid paper.

Alexander the Great, plate two from The Nine Worthies, 1594

Nicolaes de Bruyn

A work made of engraving in black on cream laid paper.

Hector of Troy, plate one from The Nine Worthies, 1594

Nicolaes de Bruyn

A work made of pen and brown ink, with touches of red chalk, on ivory laid paper.

Vendor of Rosaries and Sacred Images, c. 1660

Giuseppe Maria Mitelli

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