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A work made of etching and drypoint on ivory laid paper.

The Grand Châtelet, Paris, c. 1780, after an earlier drawing, 1861

Charles Meryon

A work made of etching on cream wove paper.

The Almonry, 1925

Frederick Landseer Maur Griggs

A work made of lithograph in black on white wove paper.

“- Finally we obtained the division of property between husband and wife... - about time, there was no more money left to divide,” plate 3 from Les Avocats Et Les Plaideurs, 1851

Honoré-Victorin Daumier

A work made of etching on cream laid paper.

St. Botolph's, Boston, 1923

Frederick Landseer Maur Griggs

A work made of etching on cream laid paper.

Seule, 1922

Gerald Leslie Brockhurst

A work made of etching, soft ground drypoint and aquatint on buff laid paper.

At the Café des Ambassadeurs, 1879–80

Hilaire Germain Edgar Degas

A work made of etching on ivory laid paper.

The Admiralty, Paris, 1865

Charles Meryon

A work made of etching on ivory laid paper.

Corinne, 1925

Gerald Leslie Brockhurst

A work made of etching on ivory laid chine.

Native Barns and Huts at Akaroa, Banks' Peninsula, 1845, 1865

Charles Meryon

A work made of drypoint on white wove paper.

The Sacrifice of Isaac, 1920

Lovis Corinth

A work made of etching on ivory laid paper.

The Dancer, 1925

Gerald Leslie Brockhurst

A work made of etching and drypoint on ivory laid paper.

The Mortuary, Paris, 1854

Charles Meryon

A work made of etching on cream laid paper.

Marquett, 1925

Gerald Leslie Brockhurst

A work made of etching on ivory laid paper.

The Admiralty, Paris, 1865

Charles Meryon

A work made of drypoint on ivory laid paper.

Self-Portrait, 1920

Lovis Corinth

A work made of etching, from a tin plate, with burnishing and foul-biting on grayish ivory laid paper.

Portrait of Pierre Nivelle, Bishop of Luçon, 1861–62

Charles Meryon

A work made of drypoint and roulette on ivory, wove paper.

The Forge of Vulcan, 1919

Lovis Corinth

A work made of graphite with smudging, on off-white wove paper.

Shipwreck, 1839

Charles Meryon

A work made of etching and drypoint on verdâtre (pale green) laid paper.

An Arch of the Pont Notre-Dame, Paris, 1853

Charles Meryon

A work made of drypoint on paper.

Hotel by the Walchensee, from The Walchensee, 1920

Lovis Corinth

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