Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of charcoal with stumping on white laid paper.

Pillow and Sleeping Bag, n.d.

Jack Beal

A work made of etching and drypoint on ivory wove paper.

Signor Annibale, c. 1860

Jean Louis Ernest Meissonier

A work made of charcoal with smudging on ivory wove paper.

The Artist and His Wife in an Interior, 1964

Jack Beal

A work made of engraving on paper.

Le Chancelier Le Tellier, 1653

Robert Nanteuil

A work made of graphite, with black pastel and white gouache, on gray laid paper.

Desk, 1967/68

Jack Beal

A work made of etching on ivory laid paper.

Arms Symbolical of the City of Paris, 1854

Charles Meryon

A work made of etching and drypoint on ivory wove paper.

Molière's Tomb, Père-Lachaise Cemetery, Paris and the Old Gate of the Palais de Justice, Paris, 1854

Charles Meryon

A work made of charcoal with stumping on ivory laid paper.

Fat Landscape, n.d.

Jack Beal

A work made of cliché-verre on ivory photographic paper.

Punchinello, c. 1850

Jean Louis Ernest Meissonier

A work made of woodcut on cream japanese tissue.

City Walls, 1908, signed and printed 1923

Edward Gordon Craig

A work made of etching in warm black on tan wove paper.

Title Page to Eaux-Fortes sur Paris, 1852

Charles Meryon

A work made of soft ground etching and aquatint, from a zinc plate, in warm black on cream wove paper.

Wooded Walk with Figure, n.d.

Giovanni Fattori

A work made of etching and drypoint in warm black on ivory laid paper.

The Old Soldier's Thatched Cottage, Akaroa, 1845, 1866

Charles Meryon

A work made of woodcut from a carved whitewood marionette figure inked in black and manually pressed on cream japanese tissue.

Beauty, 1914

Edward Gordon Craig

A work made of etching on ivory laid paper, laid down on ivory wove paper.

The Footbridge Temporarily Replacing the Pont-au-Change, Paris, After the Fire of 1621, 1860

Charles Meryon

A work made of woodcut on cream japanese tissue.

For King Lear, 1920; signed and printed 1925

Edward Gordon Craig

A work made of etching and aquatint, from a zinc plate, in black on cream wove paper.

Trees in a Meadow, n.d.

Giovanni Fattori

A work made of etching, drypoint, engraving and roulette on ivory laid paper.

Entrance to the Suburb of Saint-Marceau, Paris, 1850

Charles Meryon

A work made of etching and aquatint, from a zinc plate, in black on ivory wove paper.

Small Street on the Outskirts of Florence with Puppy, 1870–75

Giovanni Fattori

A work made of lithograph in black on white wove paper.

“- My graft of a cherry slip on an apricot tree really didn't take.... strange, ... after all, I followed exactly the instructions in the 'Manual of Useful Knowledge,'” plate 7 from Pastorales, 1845

Honoré-Victorin Daumier

<<<738739740741 >>>