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A work made of etching and drypoint ivory laid paper.

The Apse of Notre-Dame, Paris, 1854

Charles Meryon

A work made of etching and drypoint on ivory wove paper.

The Goat Carts, 1907

Jacques Villon

A work made of etching with drypoint on tan laid paper.

La Pompe Notre-Dame, Paris, 1852

Charles Meryon

A work made of etching from a copper plate, on ivory wove paper.

Small View of Mariakerke, second plate, 1900

James Ensor

A work made of etching on verdâtre (greenish-ivory) laid paper.

The Gallery of Notre-Dame, Paris, 1853

Charles Meryon

A work made of graphite, squared in red conté crayon, on ivory laid paper edge-mounted to cream laid card.

The Gallery of Notre-Dame, Paris, 1853

Charles Meryon

A work made of etching in black on ivory wove paper.

Self-Portrait Drawing (One Hand), 1964

Jack Beal

A work made of drypoint on white laid paper.

Self-Portrait Bare Headed, 1964

Jack Beal

A work made of etching and drypoint on ivory laid paper.

An Old House at Bourges, 1860

Charles Meryon

A work made of etching and drypoint on ivory laid paper.

The Old Gate of the Palais de Justice, Paris, 1854

Charles Meryon

A work made of etching and drypoint on grayish-ivory laid paper.

Oceania: Fishing, Near Islands with Palms in the Uea or Wallis Group, 1845, 1863

Charles Meryon

A work made of etching on ivory laid chine.

Pont-au-Change, Paris, 1854

Charles Meryon

A work made of etching on ivory laid paper.

Pont-au-Change, Paris, 1854

Charles Meryon

A work made of etching on ivory laid paper.

Interior with Self-Portrait, 1964

Jack Beal

A work made of etching on ivory laid paper.

Pompe Notre-Dame, Paris (small plate), 1854

Charles Meryon

A work made of etching on ivory laid paper.

Self-Portrait Drawing (Two Hands), 1964

Jack Beal

A work made of etching on ivory laid paper.

Railway Station, Pittsburgh, 1909

Joseph Pennell

A work made of etching on cream wove paper.

Pont-Neuf and the Samaritaine Seen from Under the First Arch of the Pont-au-Change, Paris, 1855

Charles Meryon

A work made of etching on ivory laid paper.

Cranes, Bessemer, 1909

Joseph Pennell

A work made of etching and drypoint in warm black on verdâtre (greenish) laid paper.

Pont-Neuf, Paris, 1853

Charles Meryon

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