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A work made of etching in black on cream laid paper.

Haymaking, Plate 1 from Pastorales, 1667

Claudine Bouzonnet-Stella

A work made of etching in black on cream laid paper.

The Bird Catchers, Plate 7 from Pastorales, 1667

Claudine Bouzonnet-Stella

A work made of hanging scroll; ink and color on silk.

Portrait of a Manchu Prince, Qing dynasty (1644-1911), 17th century

Gu Jianlong

A work made of silk, satin damask weave; embroidered with silk in knot and open chain stitches over gold-leaf-over-lacquered-paper strips.

Fragment, Yüan dynasty (1279–1368), 14th century

A work made of silk.

Fragment, 10th/11th century

A work made of silk and gilt-animal-substrate-wrapped silk, plain weave variation with weft-float faced 1:2 "z" twill interlacings of secondary binding warps and supplementary patterning wefts and with supplementary warps forming cut voided velvet.

Fragment, 13th/14th century

A work made of linen, needle lace on woven tapes.

Border, 1701/25

A work made of letterpress and woodcut in black with hand lettering in red ink, on ivory wove paper; binding in full buckram bookcloth.

Divine Proportion, Venice: Paganinus de Paganinus, 1509

Leonardo da Vinci

A work made of engraving on ivory laid paper.

The Holy Family under a Cherry Tree, 1589

Hendrick Goltzius

A work made of engraving on paper.

Johann Georg von Gödelmann, Law Professor, Diplomat, c. 1601

Aegidius Sadeler, II

A work made of stipple engraving in black on ivory laid paper, laid down on cream wove paper.

The Captive, 1786

Thomas Ryder, I

A work made of ink and color on silk.

Joyous Banquet of Guo Ziyi (곽분양행락도), Joseon dynasty (1392–1910), 19th century

A work made of letterpress and woodcut in black on ivory laid paper; four-piece decorative woodcut title border with scrolling foliage and dolphin motifs; full alum-tawed ornamental leather binding.

De Architectura, Venice, Italy: Ioannis de Tridino, also known as Tacuino, 1511

Vitruvius Pollio

A work made of illustrated book featuring 117 copper plate engravings on ivory laid paper; full vellum binding.

Exercise of Arms, 1608

Jacques de Gheyn, II

A work made of silk and silver-metal-strip-wrapped silk, stripes of warp and weft resist dyed (double ikat), plain weave, stripes of weft resist dyed (weft ikat), plain weave , bands of plain weave and bands of open warps; plied and knotted main warp fringe.

Patolu, 18th/19th century

A work made of silk, gilt-metal-strip-wrapped silk or bast fiber, strips of plain weave and stripes of warp and weft resist dyed (double ikat), plain weave with gilt-metal-strip-wrapped silk or bast fiber brocading wefts; main warp fringe.

Patolu, 18th/19th century

A work made of etching and aquatint, from three plates, in brown and black, with metallic gold, on ivory laid paper.

The Triumph of Truth over Envy, 1781

Maria Katharina Prestel

A work made of engraving and etching in black on cream laid paper.

A Naval Battle, c. 1550

Michele Lucchese

A work made of engraving in black on cream laid paper.

Christ Raises the Dead Son of the Widow of Nain, 1593/94

Jacob Matham

A work made of charcoal on tan laid paper.

Servant Drawing Water from the Fountain, 1861

François Bonvin

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