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A work made of pen and black ink, with brush and gray and brown wash, over traces of black chalk on ivory laid paper, laid down on board.

Mentor and Telemachus, Having Survived the Storm, Are Spirited to the Island of Calypso on a Mast, from The Adventures of Telemachus, Book 6, 1808

Bartolomeo Pinelli

A work made of etching and aquatint on cream wove paper.

Flicker and Gleam of Fire, 1959

Karl Schrag

A work made of lithograph on folded paper.

Voyage à Venise, 1951–52

André Masson

A work made of pen and brown ink and brush and various brown washes over graphite on ivory laid paper.

The Bridge of San Paolo, 1793

Jacob Philipp Hackert

A work made of color lithograph, with collage composed of cut-and-pasted metallic paper, on paper.

Plate Five, from Synapse Suite, 1974

Suzanne Martyl Langsdorf

A work made of chiaroscuro woodcut in blue, black, and tan on buff laid paper.

Saint Jerome, 1637

Bartolomeo Coriolano

A work made of illustrated book.

Voyage à Venise, 1951–52

André Masson

A work made of lithograph in black with scraping on stone on cream wove paper.

Coming out of the mine, 1907

Théophile-Alexandre Pierre Steinlen

A work made of etching in brownish black ink on cream laid paper.

Abbéville, 1905

Charles John Watson

A work made of pen and black ink, with brush and gray and brown wash, over black chalk on ivory laid paper, laid down on board.

Telemachus is Consoled by Termosiris, Priest of Apollo, from The Adventures of Telemachus, Book 2, 1808

Bartolomeo Pinelli

A work made of engraving in black on cream laid paper.

Fortitude, plate 36 from Genii and Virtues, c. 1465

Master of the E-Series Tarocchi

A work made of engraving in black on tan laid paper.

The Angel of the Ninth Sphere, or Primum Mobile, plate 49 from Planets and Spheres, c. 1465

Master of the E-Series Tarocchi

A work made of pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card.

Panel Seven from "The Incredible Bulk", 1979

Angelo Torres

A work made of color lithograph on paper.

Plate Six, from Synapse Suite, 1974

Suzanne Martyl Langsdorf

A work made of color lithograph, with collage composed of cut-and-pasted metallic paper, on paper.

Plate Four, from Synapse Suite, 1974

Suzanne Martyl Langsdorf

A work made of color lithograph on paper.

Plate One, from Synapse Suite, 1974

Suzanne Martyl Langsdorf

A work made of woodcut in black with hand-colored additions, and letterpress in black with rubrication (recto and verso), on buff laid paper, tipped onto cream wove paper mat.

Geneva from Schedel Weltchronik (Schedel’s World History), Plate 22 from Woodcuts from Books of the 15th Century, 1493, portfolio assembled 1929

Michel Wolgemut

A work made of woodcut and letterpress in black (recto and verso) on cream laid paper, tipped onto cream wove paper mat.

Bishops, Prophets, and Kings from Schedel Weltchronik (Schedel's World History), Plate 10 from Woodcuts from Books of the 15th Century, 1496, portfolio assembled 1929

Unknown artist

A work made of woodcut and letterpress in black (recto and verso) on cream laid paper, tipped onto cream wove paper mat.

Babylon from Schedel Weltchronik (Schedel's World History), Plate 9 from Woodcuts from Books of the 15th Century, 1496, portfolio assembled 1929

Unknown artist

A work made of lithograph in black on white wove paper.

Giving the public the delights of Carpentras, plate 16 from Croquis Musicaux, 1852

Honoré-Victorin Daumier

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