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A work made of pen and brown ink, with brush and brown wash, over graphite, on ivory laid paper, tipped onto card.

Landscape with Figures by Stream, n.d.

Pierre Joseph Wallaert

A work made of black chalk on buff laid paper, laid down on buff laid paper.

Italianate Landscape with Castle, n.d.

Circle of Adriaen Frans Boudewyns

A work made of mezzotint and drypoint in brown and black ink on white wove paper.

The Combat of Tancredi and Clorinda II, from Ricercari: in omaggio al sig. Claudio Monteverdi, 1972

Jirí Anderle

A work made of lithograph (crayon) in purple or violet on cream wove paper hinged at top corners to gray-brown wove paper.

Pessima, plate three from Yvette Guilbert, 1898, printed 1930

Henri de Toulouse-Lautrec

A work made of graphite on tan wove paper, tipped on pale green wove paper with blue fibers.

Women and Soldiers Dancing in Village Square, n.d.

A work made of pen and black ink, with brush and brown wash, on cream laid paper, tipped on blue laid paper with red fibers.

Seated Old Man with Crutch, n.d.

Hans Heinrich Meyer

A work made of red chalk, with touches of graphite, on tan laid paper.

Scorn, after 1698

Eduardus Jacobus

A work made of etching and engraving on cream wove paper.

Day, 1803/05

Phillip Otto Runge

A work made of etching, aquatint, roulette and drypoint on cream laid paper.

A Jetty in England, 1879

Félix Hilaire Buhot

A work made of pen and brown ink, with traces of black chalk, on ivory laid paper, laid down on ivory laid paper.

Female Portrait Head, n.d.

Stefano della Bella

A work made of graphite on cream wove paper.

Guildford, c. 1877

Hendrik Pieter Koekkoek

A work made of pen and brown ink, with brush and gray wash, over traces of graphite, on ivory wove paper, laid down on card.

Italianate Landscape with Figures Crossing Bridge, n.d.

Heinrich Meyeringh

A work made of black chalk on tan laid paper.

Stoning of Staint Stephen, c. 1600

Unknown Roman

A work made of lithograph in black on white wove paper.

Sketches From Le Havre. The well dressed gentleman: “- I am leaving for California.” The poorly dressed gentleman: “- That's where I just came from,” plate 239 from Actualités, 1851

Honoré-Victorin Daumier

A work made of soft ground etching, aquatint and drypoint from a zinc plate in bistre (brown) on ivory wove paper.

Model standing, June 1902

Théophile-Alexandre Pierre Steinlen

A work made of drypoint and roulette on ivory laid paper.

The Guardians of the House, or the Acrobat's Companions, c. 1877

Félix Hilaire Buhot

A work made of lithograph in black, with pen and brown ink and red and blue adhesive spots, from detached caption label, on white wove paper.

Achilles and Agamemnon. Achilles: “- And what do I care about your Troy!,” plate one from Physionomies Tragiques, 1851

Honoré-Victorin Daumier

A work made of graphite, with brush and black wash, heightened with traces of white gouache, on tan laid paper.

Wooded Landscape with Two Women in Foreground, n.d.

Jean Baptiste Pillement

A work made of red chalk, with touches of graphite, on tan laid paper, laid down on ivory japanese paper.

Veneration, after 1698

Eduardus Jacobus

A work made of color screenprint on ivory wove paper.

Untitled, from Screen Prints 1970, 1970

Sister Electa

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