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A work made of pen and brown ink on buff wove paper, laid down on ivory wove card.

Perspective, 1870/91

Charles Samuel Keene

A work made of pen and black ink with blue pencil on ivory wove paper.

Rest for the Weary, 1902

Philip William May

A work made of pen and brown ink on gray laid paper, laid down on tan wove card.

Man Seated, Holding Staff in Left Hand, 1860/69

Charles Samuel Keene

A work made of pen and brown ink, with touches of gouache, on tan wove paper, laid down on ivory wove card.

A Military Inspection, 1870/91

Charles Samuel Keene

A work made of pen and brown ink, with brush and brown wash and white gouache, over black chalk, on buff wove paper, laid down on ivory wove card.

Officer and Orderly, 1870/91

Charles Samuel Keene

A work made of pen and brown ink, over traces of graphite, on cream wove paper, laid down on ivory wove card.

Seated Man in Tunic, 1860/69

Charles Samuel Keene

A work made of pen and brown ink, with brush and red watercolor, over traces of brown pencil, on buff wove paper, laid down on ivory wove card.

Life Boat Full of Women, n.d.

Charles Samuel Keene

A work made of pen and brown ink, with brush and white gouache, over traces of graphite, faintly squared in graphite, on ivory wove paper, laid down on ivory wove card.

A Deputation from the Whitefriars, 1870/91

Charles Samuel Keene

A work made of pen and brown ink, with brush and brown wash and touches of white gouache, over black chalk, on cream wove paper, laid down on ivory wove paper.

Study for Title Page from Punch, Volume 81, 1881

Charles Samuel Keene

A work made of pen and brown ink, with brush and gray wash and white gouache, over black chalk, with touches of graphite, on ivory wove paper, laid down on tan wove card.

The Potato Harvest, 1877

Charles Samuel Keene

A work made of pen and brown ink, with touches of white gouache, over traces of graphite, on cream wove paper, laid down on ivory wove card.

Study for Punch, Volume 90, 1886

Charles Samuel Keene

A work made of pen and brown ink, with touches of white gouache, over graphite, on buff laid paper, laid down on ivory wove board.

Study for Title Page, from Punch, Volume 55, 1868

Charles Samuel Keene

A work made of pen and brown ink, with touches of white gouache, over traces of graphite, on ivory wove paper, laid down on ivory wove card.

Nil Nisi Bonum, 1870/91

Charles Samuel Keene

A work made of pen and brown ink, with brush and brown wash and touches of white gouache, over traces of black chalk, on ivory wove paper, laid down on ivory wove card.

At the Club, 1870/91

Charles Samuel Keene

A work made of pen and brown ink, with brush and brown wash, over traces of black chalk, on gray laid paper, laid down on ivory wove card.

Gent in Tall Hat Addressing Butcher, n.d.

Charles Samuel Keene

A work made of pen and black ink on ivory wove paper.

Barn and Bridge, n.d.

Henry Stacy Marks

A work made of pen and brown ink, with brush and brown and gray wash and touches of gouache, over traces of graphite, on buff wove paper, laid down on ivory wove paper.

Lord Salisbury Addressing a Meeting, 1870/91

Charles Samuel Keene

A work made of graphite, squared, on ivory wove paper.

Standing Bird, n.d.

Henry Stacy Marks

A work made of pen and black ink, with brush and gray wash and white gouache, squared in graphite, on ivory wove paper, laid down on buff wove paper.

Four Birds in Landscape, n.d.

Henry Stacy Marks

A work made of pen and black ink and graphite on ivory wove paper, laid down on board.

Deck of Steamer, 1896

Philip William May

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