Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of etching and aquatint, from a zinc plate, in black on cream wove paper.

Trees in a Meadow, n.d.

Giovanni Fattori

A work made of etching, drypoint, engraving and roulette on ivory laid paper.

Entrance to the Suburb of Saint-Marceau, Paris, 1850

Charles Meryon

A work made of etching and aquatint, from a zinc plate, in black on ivory wove paper.

Small Street on the Outskirts of Florence with Puppy, 1870–75

Giovanni Fattori

A work made of lithograph in black on white wove paper.

“- My graft of a cherry slip on an apricot tree really didn't take.... strange, ... after all, I followed exactly the instructions in the 'Manual of Useful Knowledge,'” plate 7 from Pastorales, 1845

Honoré-Victorin Daumier

A work made of etching and drypoint on ivory laid paper.

The Grand Châtelet, Paris, c. 1780, after an earlier drawing, 1861

Charles Meryon

A work made of etching on cream wove paper.

The Almonry, 1925

Frederick Landseer Maur Griggs

A work made of lithograph in black on white wove paper.

“- Finally we obtained the division of property between husband and wife... - about time, there was no more money left to divide,” plate 3 from Les Avocats Et Les Plaideurs, 1851

Honoré-Victorin Daumier

A work made of etching on cream laid paper.

St. Botolph's, Boston, 1923

Frederick Landseer Maur Griggs

A work made of etching on cream laid paper.

Seule, 1922

Gerald Leslie Brockhurst

A work made of etching, soft ground drypoint and aquatint on buff laid paper.

At the Café des Ambassadeurs, 1879–80

Hilaire Germain Edgar Degas

A work made of etching on ivory laid paper.

The Admiralty, Paris, 1865

Charles Meryon

A work made of etching on ivory laid paper.

Corinne, 1925

Gerald Leslie Brockhurst

A work made of etching on ivory laid chine.

Native Barns and Huts at Akaroa, Banks' Peninsula, 1845, 1865

Charles Meryon

A work made of drypoint on white wove paper.

The Sacrifice of Isaac, 1920

Lovis Corinth

A work made of etching on ivory laid paper.

The Dancer, 1925

Gerald Leslie Brockhurst

A work made of etching and drypoint on ivory laid paper.

The Mortuary, Paris, 1854

Charles Meryon

A work made of etching on cream laid paper.

Marquett, 1925

Gerald Leslie Brockhurst

A work made of etching on ivory laid paper.

The Admiralty, Paris, 1865

Charles Meryon

A work made of drypoint on ivory laid paper.

Self-Portrait, 1920

Lovis Corinth

A work made of etching, from a tin plate, with burnishing and foul-biting on grayish ivory laid paper.

Portrait of Pierre Nivelle, Bishop of Luçon, 1861–62

Charles Meryon

<<<730731732733 >>>