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A work made of pen and brown ink, with brush and gray wash, over traces of graphite, on ivory wove paper, laid down on card.

Italianate Landscape with Figures Crossing Bridge, n.d.

Heinrich Meyeringh

A work made of black chalk on tan laid paper.

Stoning of Staint Stephen, c. 1600

Unknown Roman

A work made of lithograph in black on white wove paper.

Sketches From Le Havre. The well dressed gentleman: “- I am leaving for California.” The poorly dressed gentleman: “- That's where I just came from,” plate 239 from Actualités, 1851

Honoré-Victorin Daumier

A work made of soft ground etching, aquatint and drypoint from a zinc plate in bistre (brown) on ivory wove paper.

Model standing, June 1902

Théophile-Alexandre Pierre Steinlen

A work made of drypoint and roulette on ivory laid paper.

The Guardians of the House, or the Acrobat's Companions, c. 1877

Félix Hilaire Buhot

A work made of lithograph in black, with pen and brown ink and red and blue adhesive spots, from detached caption label, on white wove paper.

Achilles and Agamemnon. Achilles: “- And what do I care about your Troy!,” plate one from Physionomies Tragiques, 1851

Honoré-Victorin Daumier

A work made of graphite, with brush and black wash, heightened with traces of white gouache, on tan laid paper.

Wooded Landscape with Two Women in Foreground, n.d.

Jean Baptiste Pillement

A work made of red chalk, with touches of graphite, on tan laid paper, laid down on ivory japanese paper.

Veneration, after 1698

Eduardus Jacobus

A work made of color screenprint on ivory wove paper.

Untitled, from Screen Prints 1970, 1970

Sister Electa

A work made of lithograph in green, brown, and black on white wove paper.

Untitled, 1976

Mihail Chemiakin

A work made of graphite, with brush and brown wash, heightened with lead white (discolored), on tan wove paper.

First Communion, 1845

Johannes Bosboom

A work made of charcoal and graphite, heightened with white chalk, on cream wove paper prepared with a pale brown wash.

The Daughters of Pandarus, n.d.

John Flaxman

A work made of lithograph in black on white wove paper.

Result of the Demolishing of Buildings in Paris. “- After all, this is where I used to live.... and I can't even find my wife anymore,” plate 55 from Actualités, 1852

Honoré-Victorin Daumier

A work made of lithograph in green, blue, yellow, and black on white wove paper.

Skyforms, 1975

Albert Christ-Janer

A work made of lithograph in black on white wove paper.

Andromache. “- Our family 's destiny was pitiless death, my husband was tortured to the end of his breath,” plate 6 from Physionomies Tragiques, 1851

Honoré-Victorin Daumier

A work made of etching, aquatint, sugar lift etching on white wove paper.

Tribulation, 1965

Lee Chesney

A work made of black chalk, with brush and gray wash, on tan laid paper, laid down on board.

Shepherd, 17th century

Unknown

A work made of pen and brown ink with brush and gray wash, on ivory laid paper, laid down on ivory laid paper.

The lady with the small raised cap, after a print from La Noblesse, 1630s (?)

Unknown artist

A work made of pen and brown ink with traces of black chalk on cream laid paper.

Mercury, c. 1600

Jan Harmensz. Muller

A work made of lithograph in black on cream wove paper, tipped onto mount with aquatint border in gray on cream wove paper.

Old Tree, from the first issue of Specimens of Polyautography, 1801, published 1803

Thomas Hearne

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