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A work made of etching on ivory laid paper.

Strasbourg Cathedral, 1645

Wenceslaus Hollar

A work made of graphite with smudging on ivory wove paper, laid down on bristol board.

Woman Figure with Medusa Ornaments, 1967

Claes Oldenburg

A work made of engraving on ivory laid paper.

The Churchgoers, c. 1495

Israhel van Meckenem, the younger

A work made of engraving in black with brush and black wash on ivory laid paper.

Pride and Madness (Orgeuille et Follie), c. 1588

Theodor de Bry

A work made of charcoal with stumping on white laid paper.

Pillow and Sleeping Bag, n.d.

Jack Beal

A work made of etching and drypoint on ivory wove paper.

Signor Annibale, c. 1860

Jean Louis Ernest Meissonier

A work made of charcoal with smudging on ivory wove paper.

The Artist and His Wife in an Interior, 1964

Jack Beal

A work made of engraving on paper.

Le Chancelier Le Tellier, 1653

Robert Nanteuil

A work made of graphite, with black pastel and white gouache, on gray laid paper.

Desk, 1967/68

Jack Beal

A work made of etching on ivory laid paper.

Arms Symbolical of the City of Paris, 1854

Charles Meryon

A work made of etching and drypoint on ivory wove paper.

Molière's Tomb, Père-Lachaise Cemetery, Paris and the Old Gate of the Palais de Justice, Paris, 1854

Charles Meryon

A work made of charcoal with stumping on ivory laid paper.

Fat Landscape, n.d.

Jack Beal

A work made of cliché-verre on ivory photographic paper.

Punchinello, c. 1850

Jean Louis Ernest Meissonier

A work made of woodcut on cream japanese tissue.

City Walls, 1908, signed and printed 1923

Edward Gordon Craig

A work made of etching in warm black on tan wove paper.

Title Page to Eaux-Fortes sur Paris, 1852

Charles Meryon

A work made of soft ground etching and aquatint, from a zinc plate, in warm black on cream wove paper.

Wooded Walk with Figure, n.d.

Giovanni Fattori

A work made of etching and drypoint in warm black on ivory laid paper.

The Old Soldier's Thatched Cottage, Akaroa, 1845, 1866

Charles Meryon

A work made of woodcut from a carved whitewood marionette figure inked in black and manually pressed on cream japanese tissue.

Beauty, 1914

Edward Gordon Craig

A work made of etching on ivory laid paper, laid down on ivory wove paper.

The Footbridge Temporarily Replacing the Pont-au-Change, Paris, After the Fire of 1621, 1860

Charles Meryon

A work made of woodcut on cream japanese tissue.

For King Lear, 1920; signed and printed 1925

Edward Gordon Craig

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