Curator

  • Art Institute Chicago
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A work made of pen and brown ink, with brush and brown and gray wash, over traces of black chalk, on cream laid paper.

Conversion of Saint Paul, n.d.

Francesco Solimena

A work made of manuscript cutting in tempera and gold leaf, with gothica textualis inscriptions in latin in black ink, ruled in red ink, and with other decorations, on parchment.

Saint Kneeling Before God Enthroned in a Historiated Initial "V" from an Antiphonary, 1310/15

Neri da Rimini

A work made of inkless intaglio on cream wove paper, folded.

Plate five, from The Never Projected (Lo Nunca Proyectado), 1964

Gego (Gertrud Goldschmidt)

A work made of etching on white wove paper.

Untitled, 1983–85/1988

Donald Judd

A work made of gouache, over graphite, on cream wove paper.

Untitled, 1944

Carlos Mérida

White plaster statue of woman with protruding compartments, each adorned with fur pompom.

Untitled, 1944

Carlos Mérida

A work made of gouache, over graphite, on cream wove paper.

Study for the Oracle, 1944

Carlos Mérida

A work made of gouache, over graphite, on cream wove paper.

Study for Self-Portrait, 1944

Carlos Mérida

A work made of lithograph in ochre on paper.

Time-Life Mural, page thirteen from Recollection, 1964–68

Fritz Glarner

A work made of lithograph in ochre, yellow and red on paper.

Time-Life Mural, page thirteen from Recollection, 1964–68

Fritz Glarner

A work made of lithograph in ochre and yellow on paper.

Time-Life Mural, page thirteen from Recollection, 1964–68

Fritz Glarner

A work made of color lithograph on white wove paper.

Night Smoke, 1969–70

James Rosenquist

A work made of lithograph in black on three cutout sheets of white wove paper.

Night Smoke, 1969–70

James Rosenquist

A work made of lithograph in red and yellow on white wove paper.

Spaghetti and Grass, 1964

James Rosenquist

A work made of color lithograph on white wove paper.

Page 18 from Traces suspectes en surface, 1972–78

Robert Rauschenberg

A work made of lithograph in dark gray and yellow on white wove paper.

Page 15 from Traces suspectes en surface, 1972–78

Robert Rauschenberg

A work made of lithograph in ochre from one stone on white wove paper.

Stunt Man II, 1962

Robert Rauschenberg

A work made of color photoetching from three plates on white wove paper.

The Razorback Bunch (Etching I), 1980

Robert Rauschenberg

A work made of photoetching and etching in red on white laid paper.

Glacial Decoy Series: Etching I, 1979

Robert Rauschenberg

A work made of lithograph in red, yellow and blue on paper.

Time-Life Mural, page thirteen from Recollection, 1964–68

Fritz Glarner

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