Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of screenprint on nishinouchi (japanese paper).

Oyamazaki Villa Museum, Kyoto, Japan, Section and Elevation, 1998

Tadao Ando

A work made of screenprint on nishinouchi (japanese paper).

The Theater in the Rock, Oya II, Site Plan, 1998

Tadao Ando

A work made of screenprint on niahinouchi (japanese paper).

The Theater in the Rock, Oya I, Section, 1998

Tadao Ando

Two drawings of a row house, including a rectangular floor plan and perspective of a deep, narrow interior, signed.

Row House, Sumiyoshi, Japan, Plan and Interior Perspective, 1998

Tadao Ando

A work made of screenprint on nishinouchi (japanese paper).

Fabrica (Benetton Research Center) II, Isometric Plan View, 1998

Tadao Ando

A gestural sketch depicting a round structure, two rows of trees, and benches.

Waterfront Plaza, Kobe, Japan: Sketch, c. 2000

Tadao Ando

A work made of graphite and colored pencil on paper.

House in Chicago, Design Drawings, c. 1992–1998

Tadao Ando

A compilation of design drawings and a photograph of a flat-roofed house with dramatic vertical and horizontal architectural details, including tall glass windows.

House in Chicago, Design Drawings, c. 1992–1998

Tadao Ando

A work made of gelatin silver prints (15), montage.

Chicago, 1965; printed and assembled 1990

Danny Lyon

A work made of gelatin silver print.

Albany, Georgia, 1962

Danny Lyon

Black-and-white photograph down an uphill urban street with neon lights. White police watch a group of black women and men cross the street.

Danville, Virginia, 1963

Danny Lyon

Black-and-white photograph of a dozen white men sitting on the sidewalk against a brick building as though watching something. Beyond them in the same line, a number of black people and a white person stand against the same wall, also watching, visible from the neck down.

Danville, Virginia, 1963

Danny Lyon

Black-and-white photograph of a police officer grabbing his crotch for the camera. Near him outdoors are other casually posed officers, some smoking. One leans against a white car parked in profile that takes up the right half of the image.

The Police at Clarksdale, Mississippi, 1963

Danny Lyon

Black-and-white photograph of three police in helmets standing in front of a wooden house. The one in the middle wears a wide-brimmed hat, his back to us as though writing. The other two flank him, wearing helmets and carrying rifles with bayonets.

Cambridge, Maryland, 1964

Danny Lyon

A work made of gelatin silver print.

Demonstrations at an “All-White” Swimming Pool in Cairo, Illinois, 1962, printed 2010

Danny Lyon

A work made of gelatin silver print.

The Police at Clarksdale, Mississippi, 1963, printed 2010

Danny Lyon

A work made of gelatin silver print.

Atlanta, Police Car Window, 1963, printed 2010

Danny Lyon

A work made of gelatin silver print.

The Road to Yazoo City, 1963, printed 2010

Danny Lyon

A work made of gelatin silver print.

Segregated Drinking Fountain in the County Courthouse in Albany, Georgia, 1962, printed 2010

Danny Lyon

A work made of gelatin silver print.

Willie Ricks was one of SNCC’s great stump speakers, capable of getting great emotional responses from a crowd. During the Meredith March in Mississippi, where King and Stokely Carmichael marched side by side, it was Ricks who first unleashed the “Black Power” cry. Here he speaks in Atlanta, 1964, printed 2010

Danny Lyon

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