Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of engraving in black on tan laid paper.

The Angel of the Ninth Sphere, or Primum Mobile, plate 49 from Planets and Spheres, c. 1465

Master of the E-Series Tarocchi

A work made of pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card.

Panel Seven from "The Incredible Bulk", 1979

Angelo Torres

A work made of color lithograph on paper.

Plate Six, from Synapse Suite, 1974

Suzanne Martyl Langsdorf

A work made of color lithograph, with collage composed of cut-and-pasted metallic paper, on paper.

Plate Four, from Synapse Suite, 1974

Suzanne Martyl Langsdorf

A work made of color lithograph on paper.

Plate One, from Synapse Suite, 1974

Suzanne Martyl Langsdorf

A work made of woodcut in black with hand-colored additions, and letterpress in black with rubrication (recto and verso), on buff laid paper, tipped onto cream wove paper mat.

Geneva from Schedel Weltchronik (Schedel’s World History), Plate 22 from Woodcuts from Books of the 15th Century, 1493, portfolio assembled 1929

Michel Wolgemut

A work made of woodcut and letterpress in black (recto and verso) on cream laid paper, tipped onto cream wove paper mat.

Bishops, Prophets, and Kings from Schedel Weltchronik (Schedel's World History), Plate 10 from Woodcuts from Books of the 15th Century, 1496, portfolio assembled 1929

Unknown artist

A work made of woodcut and letterpress in black (recto and verso) on cream laid paper, tipped onto cream wove paper mat.

Babylon from Schedel Weltchronik (Schedel's World History), Plate 9 from Woodcuts from Books of the 15th Century, 1496, portfolio assembled 1929

Unknown artist

A work made of lithograph in black on white wove paper.

Giving the public the delights of Carpentras, plate 16 from Croquis Musicaux, 1852

Honoré-Victorin Daumier

A work made of lithograph on paper.

Colophon, from Tablets, 1961

Clinton Adams

A work made of color lithograph on ivory wove paper.

Untitled, plate X from Tablets, 1961

Clinton Adams

A work made of lithograph on ivory wove paper.

Untitled, plate IX from Tablets, 1961

Clinton Adams

A work made of lithograph on ivory wove paper.

Untitled, plate VIII from Tablets, 1961

Clinton Adams

A work made of color screenprint on paper.

Plate XI, from 11 x 4 : 4, 1970

Max Bill

A work made of woodcut in black, and letterpress in black (recto and verso), on cream laid paper, tipped onto cream wove paper mat.

Raising Loans from Navis Stultifera (Ship of Fools), Plate 24 from Woodcuts from Books of the 15th Century, 1497, portfolio assembled 1929

Master of the Bergmann Press

A work made of woodcut in black with hand-colored additions, and letterpress in black (recto and verso), on cream laid paper, tipped onto cream wove paper mat.

Saint Wilbolt from Heiligenleben, Winterteil (Lives of the Saints—Wintertime), Plate 3 from Woodcuts from Books of the 15th Century, 1475, portfolio assembled 1929

Unknown artist

A work made of watercolor, over traces of graphite, on ivory wove paper, laid down on brown-toned board.

Abbey Ruin, n.d.

Samuel William Reynolds, the elder

A work made of pen and black ink and brush and watercolor, on cream laid paper.

Departure for Market, 1750-1850

Unknown artist

A work made of graphite on cream wove paper.

Merron, 1877

Hendrik Pieter Koekkoek

A work made of black chalk, with brush and gray wash, on brown tinted laid paper.

Flight into Egypt, n.d.

Cornelis Bisschop

<<<732733734735 >>>