Results for artworks - Page 562 from chicago

A work made of silk, satin damask and plain weaves.

Kesa, Early or mid–19th century, Late Edo period (1789–1868)

A work made of silk and gilt-paper strip; twill and satin weaves with secondary binding warps and supplementary patterning wefts.

Kesa, Early or mid–19th century, Edo period (1789–1868)

A work made of silk and gilt-paper strip; plain weave with secondary binding warps and supplementary patterning wefts.

Priest's Hat, Late 19th century, Meiji period (1868–1912)

A work made of heri, jô: silk, warp-float faced 4:1 satin weave with weft-float faced 1:2 'z’ twill interlacings of secondary binding warps and supplementary patterning wefts; shiten: silk and gold-leaf-over-lacquered-paper-strip, warp-float faced 4:1 satin weave with weft-float faced 1:2 's’ twill interlacings of secondary secondary binding warps and supplementary patterning wefts; lining: silk, plain weave.

Ôhi (Stole), 1890/1912, Meiji period (1868–1912)

A work made of silk and cotton; twill weave with supplementary patterning wefts; silk and cotton knotted cords.

Kesa, After 1945, Showa (1926–1989)

A work made of silk, cotton, and gilt-paper strip; plain, twill and satin weaves with secondary binding warps and supplementary patterning wefts, with plied and knotted cords.

Shoe, Early 20th century, Meiji period (1868–1912)/Taishô period (1912–1926)

A work made of silk, plain weave-based float weave with creped wefts (chirimen); stenciled and resist dyed (yûzen-zome); and embroidered with gold-leaf-over-lacquered-paper strip in single satin stitches; lined with silk, warp-float faced 7: 1 satin weave self-patterned by areas of plain weave; lining: silk, plain weave with creped wefts (chirimen).

Haori, 1915–30

A work made of linen, silk, and gilt-paper strip; plain, twill, and satin weaves with secondary binding warp and supplementary patterning wefts, with plied cords.

Kesa, Early 20th century, Meiji period (1868–1912)

A work made of silk, satin weave; embroidered with silk and gilt-paper-strip-wrapped silk in satin stitches; couching; painted.

Scroll, Qing dynasty (1644–1911), c. 1860

A work made of silk, satin weave; screen printed.

Les Altheas, 1914/20

Raoul Dufy

A work made of linen, warp and weft painted (chiné), plain weave.

Points & Lines Four, 1999

Virginia Davis

A work made of pattern side: silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, slit tapestry weave (tsuzure); corners: silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, tubular 1:1 oblique interlacing over cotton core, knotted; silk-wrapped cotton ball and re-plied silk, gold-leaf-over-lacquered-paper-strip-wrapped cotton fringe tassels.

Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

A work made of pattern side: silk and gold-leaf-over-lacquered-paper-strip wrapped cotton, slit and single dovetailed tapestry weaves (tsuzure); lining: silk, plain weave; sewn with front and lining matched to size (tachikiri awase); corners: gold-leaf-over-lacquered-paper-strip wrapped cotton, knotted, re-plied fringe tassels.

Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

A work made of silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, chevron twill weave with supplementary patterning wefts and supplementary pile warps forming cut and uncut voided velvet; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in laidwork and couching.

Fragment (Dressing Fabric), Ming dynasty (1368–1644), 16th century

A work made of linen, plain weave; embroidered with wool and silk in satin padded satin, split and stem stitches; french knots, laidwork and couching; beaded with linen threads and glass beads; painted details.

Table Frontal, 17th century

A work made of mon side: silk, warp-faced, weft ribbed plain weave (shioze); dye extracted through stenciled chemical dye stripper (bassen); patterned side: cotton, silk and gold-leaf-over-lacquered-paper strip wrapped silk, slit tapestry weave with wrapped outlining wefts (tsuzure); paper interlining; sewn with front and lining matched in size (tachikiri awase); corners: silk, gold-leaf-over-lacquered-paper strip wrapped silk, tubular 1:1 oblique interlacing over cotton core, knotted; silk-wrapped cotton ball and re-plied silk, gold-leaf-over-lacquered-paper strip wrapped silk fringe tassels.

Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

Hanging entitled “Points & Lines Four”, 1999

Virginia Davis

Hanging entitled “Points & Lines Four”, 1999

Virginia Davis

A work made of silk, plain weave with creped weft (chirimen); resist dyed (yuzen-zome); stamped gold and silver leaf over adhesive (inkin); embroidered with silk, rayon and gold-leaf-over-adhesive-on-paper-strip-wrapped rayon, rayon padded satin stitches;
lined with silk, plain weave.

Kesa, Early or mid–19th century, Late Edo period (1789–1868)

Kesa, Early or mid–19th century, Edo period (1789–1868)

Priest's Hat, Late 19th century, Meiji period (1868–1912)

Ôhi (Stole), 1890/1912, Meiji period (1868–1912)

Kesa, After 1945, Showa (1926–1989)

Shoe, Early 20th century, Meiji period (1868–1912)/Taishô period (1912–1926)

Shoe, Early 20th century, Meiji period (1868–1912)/Taishô period (1912–1926)

Haori, 1915–30

Kesa, Early 20th century, Meiji period (1868–1912)

Scroll, Qing dynasty (1644–1911), c. 1860

Les Altheas, 1914/20

Points & Lines Four, 1999

Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

Fragment (Dressing Fabric), Ming dynasty (1368–1644), 16th century

Table Frontal, 17th century

Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

Hanging entitled “Points & Lines Four”, 1999

Hanging entitled “Points & Lines Four”, 1999

Furisode, Taisho period (1912–26), c. 1920

Kesa, Early or mid–19th century, Late Edo period (1789–1868)

Kesa, Early or mid–19th century, Edo period (1789–1868)

Priest's Hat, Late 19th century, Meiji period (1868–1912)

Ôhi (Stole), 1890/1912, Meiji period (1868–1912)

Kesa, After 1945, Showa (1926–1989)

Shoe, Early 20th century, Meiji period (1868–1912)/Taishô period (1912–1926)

Shoe, Early 20th century, Meiji period (1868–1912)/Taishô period (1912–1926)

Haori, 1915–30

Kesa, Early 20th century, Meiji period (1868–1912)

Scroll, Qing dynasty (1644–1911), c. 1860

Les Altheas, 1914/20

Points & Lines Four, 1999

Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

Fragment (Dressing Fabric), Ming dynasty (1368–1644), 16th century

Table Frontal, 17th century

Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

Hanging entitled “Points & Lines Four”, 1999

Hanging entitled “Points & Lines Four”, 1999

Furisode, Taisho period (1912–26), c. 1920