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A work made of linen, plain weave; embroidered.

Fragment, Mamluk period (1250–1517), 15th century

A work made of silk and gilt-animal-substrate-wrapped silk; satin weave with secondary binding warps and supplementary patterning wefts.

Fragment with Nasrid Coat of Arms, Nasrid Dynasty (1232–1492), c. 1400

A work made of linen, plain weave; embroidered with silk floss in back and running (pattern darning) stitches.

Fragment, Ayyubid period (1171–1250)/Mamluk period (1250–1517), 13th/14th century

A work made of silk and gilt animal substrate wrapped silk, weft-faced three- and four- color complementary weft plain weave with inner warps and areas of detached plain weave of inner warps and complementary ground wefts (red).

Fragment with Roundel Pattern, 13th-14th century

A work made of silk and gilt-animal-substrate-wrapped silk, weft-faced three-color complementary weft plain weave with inner warps.

Fragment From the Chasuble of San Valero, 13th century

A work made of silk, warp-float faced 4:1 satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts.

Fragment, 15th century

A work made of silk and gilt-animal-substrate-wrapped linen, bands of plain weave; of plain weave self-patterned by main warp and ground weft floats; and of two and three color complementary weft weave.

Probably a Fragment from a Garment of Don Felipe, 1275-1300

A work made of wool, patchwork of 2:2 's' twill weaves; embroidered in flat, satin, and stem stitches; laid work and couching; main warp fringe.

Square Shawl, 1870s

A work made of silk and gilt-animal-substrate-wrapped silk, satin weave with plain interlacings of secondary binding warps and patterning wefts.

Fragment, 14th/15th century

A work made of silk and gilt-animal-substrate-wrapped linen, warp-float faced 4:1 satin weave with plain interlacings of secondary binding warps, supplementary patterning wefts and self-patterned ground wefts.

Fragment, 14th century

A work made of silk, warp-float faced 4:1 satin weave with supplementary patterning wefts bound by secondary binding warps in plain interlacings.

Fragment, Mamluk period (1250–1517), 14th/15th century

A work made of silk and gilt-animal-substrate-wrapped silk; weft-faced four-color complementary weft plain weave with inner warps and areas of detached plain interlacing of inner warps with complementary ground wefts.

Fragment from the Dalmatic of San Valero, 13th century

A work made of silk, satin weave with plain interlacings of secondary binding warps and patterning wefts.

Fragment, Mamluk period (1250–1517), late 14th century

A work made of silk, warp-float faced 3:1 twill weave with supplementary patterning wefts tied by secondary binding warps in plain interlacings.

Fragment, Mamluk period (1250–1517), 14th/ 15th century

A work made of silk, warp-float faced 2:1 twill weave with supplementary patterning wefts bound by secondary binding warps in plain interlacings.

Fragment, Mamluk period (1250–1517), 14th/15th century

A work made of silk and gilt-metal-strip-wrapped silk; satin weave with secondary binding warps and supplementary patterning wefts.

Fragment, 15th century

A work made of cotton and wool, plain weave with supplementary wrapping wefts forming cut solid pile through a technique known as "sehna knots".

Prayer Carpet (Sarouk Style), 1875-1900

A work made of silk, warp-float faced 4:1 satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts.

Fragment, 15th century

A work made of silk, warp-float faced 4:1 satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts.

Fragment, 15th century

A work made of oil and tempera on panel.

Saint Catherine Delivered from the Wheel, c. 1395

Spanish

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