Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of etching on paper.

The Rider Standing by His Horse, from Capricci, 1740/50

Giovanni Battista Tiepolo

A work made of etching on paper.

Three Soldiers and a Boy, from Capricci, c. 1740, published 1785

Giovanni Battista Tiepolo

A work made of etching on paper.

Death Giving Audience, from Capricci, 1740/50, published 1785

Giovanni Battista Tiepolo

A work made of etching on paper.

A Nymph with a Small Satyr and Two Goats, from Capricci, 1740/50, published 1785

Giovanni Battista Tiepolo

A work made of etching on paper.

The Astrologer and the Young Soldier, from Capricci, 1740/50

Giovanni Battista Tiepolo

A work made of etching on paper.

Seated Youth Leaning Against an Urn, from Capricci, 1740/50, published 1785

Giovanni Battista Tiepolo

A work made of etching on paper.

A Woman with her Arms in Chains and Four Other Figures, from Capricci, 1740/50, published 1785

Giovanni Battista Tiepolo

A work made of etching on paper.

A Woman with her Hands on a Vase, Soldier, and Slave, from Capricci, 1740/50

Giovanni Battista Tiepolo

A work made of etching on paper.

Standing Philosopher and Two Other Figures, from Capricci, 1740/50

Giovanni Battista Tiepolo

A work made of pen and brown ink with brush and brown wash, over black chalk, on ivory laid paper.

Fantasy on the Death of Seneca, 1735/40

Giovanni Battista Tiepolo

A work made of brush and brown ink and brush and brown wash, over traces of black chalk, on ivory laid paper, laid down on tan wove paper.

Two Monks Contemplating a Skull, c. 1730–35

Giovanni Battista Tiepolo

A work made of etching on off-white laid paper.

Adoration of the Magi, c. 1740

Giovanni Battista Tiepolo

A work made of etching printed in black on paper.

The Discovery of the Tomb of Punchinello, from Scherzi, 1735–40

Giovanni Battista Tiepolo

A work made of etching in black on cream laid paper.

Saint Jerome and a Pope with Two Putti (Saint Jerome and Pope Damasus), c. 1611

Jacopo Negretti, called Palma Giovane

A work made of pen and brown and black ink and brush and iron-gall ink wash, over black chalk, heightened with white gouache, on tan laid paper, pieced along right edge and incised.

The Flagellation of Christ, by 1594

Jacopo Negretti, called Palma Giovane

A work made of pen and brown ink, with brush and brown wash, with traces of graphite, with later additions of yellow-gray wash along right side (recto), and pen and brown ink (verso) on ivory laid paper.

Virgin and Child with Saints Thomas and John the Baptist (recto); Sleeping Venus (verso), 17th century (recto); 16th or 17th century (verso)

Jacopo Negretti, called Palma Giovane

A work made of pen and brown ink, with brush and brown wash, over black chalk underdrawing on ivory laid paper, laid down on gray laid paper, tipped onto cream laid paper.

Head of a Man, 1600/11

Jacopo Negretti, called Palma Giovane

A work made of pen and brown ink, with brush and brown wash, heightened with lead white (partially oxidized) over traces of black chalk, on tan laid paper, laid down on cream wove card.

Study for the Adoration of the Magi, 1612

Jacopo Negretti, called Palma Giovane

A work made of red chalk on ivory laid paper, laid down on card.

Fame Blowing on a Trumpet, n.d.

Jacopo Negretti, called Palma Giovane

A work made of pen and brown ink with brush and brown wash (recto and verso), on ivory laid paper.

Sketches for a Lamentation and a Pietà, and of Various Figures, Heads, and an Arm (recto); Sketches of the Dead Christ, and of Various Figures and Heads (verso), 1580 (recto); 1576/80 (verso)

Jacopo Negretti, called Palma Giovane

<<<561562563564 >>>