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A work made of wool, silk, linen, rayon, and acetate, warp-dyed plain weave with areas of plain weave double cloth and double cloth of gauze and plain weave with discontinuous wefts.

Yellow Forests, 1968/69

Ruth Ginsberg- Place

A work made of monotype in black ink on ivory laid paper.

Woman Reclining on Her Bed, c. 1885

Hilaire Germain Edgar Degas

A work made of cotton, plain weave; block printed.

Panel (Dress or Furnishing Fabric), c. 1925

Laura Lange

A work made of cotton, plain weave, block printed.

Panel (Dress or Furnishing Fabric), 1922/1928

Laura Lange

A work made of cotton, plain weave; block printed.

Panel (Dress or Furnishing Fabric), 1920s

Ruth Hildegard Geyer-Raack

A work made of cotton, plain weave; block printed.

Panel (Dress or Furnishing Fabric), 1923/27

Laura Lange

A work made of cotton, plain weave; block printed.

Panel (Dress or Furnishing Fabric), c. 1925

Deutsche Werkstätten GmbH.

A work made of cotton, plain weave; block printed.

Panel (Dress or Furnishing Fabric), c. 1925

Richard Lisker

A work made of cotton, machine-made lace: twist net; machine embroidered laid work and couching.

Panel (Curtain Fabric), Mid–1920s

Tommi Parzinger

A work made of cotton, plain weave; block printed.

Panel (Dress or Furnishing Fabric), c. 1925

Richard Lisker

A work made of wool, polyester and metalized polyester film, felted; cotton machine embroidery.

The Dancers, 1969

Šárka Šefranková Beneš

A work made of cotton, machine-made lace: twist net; machine embroidered laid work and couching.

Panel (Curtain Fabric), 1920s

Laura Lange

A work made of cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads.

Portière, 1901

George Washington Maher

A work made of silk, warp-float faced 4:1 satin weave; embroidered with silk and silk chenille in split, surface satin, and stem stitches; couching; with human hair.

Mourning Sampler, About 1810

Mary Balch's School

A work made of wool (camelid); stripes of warp-faced plain weave, plain weave with paired warps and supplementary warp patterning; applied cotton and wool (camelid), braided trims; glass buttons; two panels joined in figure eight stitch; wool (camelid) knitted binding edge.

Woman's Mantle (Llijlla), 1900/1970

Quechua

A work made of wool (camelid), stripes of warp-faced plain weave and complimentary patterning warp; two panels joined with wool (camelid) in figure eight stitch; applied cotton, and cotton with wool (camelid) braided trims; embroidered with wool (camelid) in fishbone stitch.

Woman's Mantle (Llijlla), 1900/1970

Quechua

A work made of cotton, plain weave; block printed.

Severn, Design 1887–90; made 1887–1917

John Henry Dearle

A work made of cotton and wool, double interlocking tapestry weave.

Tegn I (Sign), 1970

Jan Groth

A work made of linen, plain weave; embroidered with silk in cross, satin, individual satin, split, and stem stitches; edged with silk, plain weave.

Sampler, 1793

Ann Sellers

A work made of wool and cotton; tapestry weave.

Les Saltimbanques (The Entertainers), 1959

Liliane Badin

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