Curator

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A work made of pen and brown ink, with brush and brown wash and white gouache, over traces of graphite, on blue wove paper.

Entretat, July, 1858

Clarkson Stanfield

A work made of pen and brown ink, over graphite, on blue wove paper.

Richmond, July 9, 1832

Clarkson Stanfield

A work made of pen and brown ink, with brush and brown wash and white gouache, over traces of graphite, on blue wove paper.

Entretat, July, 1858

Clarkson Stanfield

A work made of pen and brown ink, with brush and brown wash and white gouache, over traces of graphite, on blue wove paper.

Entretat, July, 1858

Clarkson Stanfield

A work made of pen and brown ink, with brush and brown wash and white gouache, over traces of graphite, on blue wove paper.

Entretat, July, 1858

Clarkson Stanfield

A work made of pen and brown ink, with brush and brown wash and white gouache, over traces of graphite, on blue wove paper.

Boats Going Out, Entretat, July, 1858

Clarkson Stanfield

A work made of pen and brown ink, with brush and gray wash, over traces of graphite, on blue wove paper.

Ostende Fishing Boat, August 17,1860

Clarkson Stanfield

A work made of black chalk with stumping on ivory and buff wove paper, pieced together and laid down on ivory wove paper.

Two Studies of Medieval Sculpture, 1859

Dante Gabriel Rossetti

A work made of black chalk on buff wove paper, laid down on ivory wove paper.

River Landscape with Figures, n.d.

George Frederick Rosenberg

A work made of black chalk (recto), and graphite (verso), on ivory wove paper.

Sketches of Putti (recto); Study for Ornament (verso), 1837/75 (recto); n.d. (verso)

Alfred George Stevens

A work made of graphite on cream wove paper laid down on cream wove card.

Three Fisherman in a Boat, 1811

John Thomas Serres

A work made of pen and brown ink with brush and brown wash, over traces of graphite, squared in black chalk, on ivory laid paper.

Harbor Scene with Figures, Temple, n.d.

George Smith of Chichester

A work made of pen and black ink heightened with white gouache, on ivory wove card.

The British Squaw, Shetland Islands, 1894

Edward Linley Sambourne

A work made of pen and brown ink and brush and gray wash, on gray laid paper, laid down on brown wove paper.

Giles Dolt, n.d.

George Samuel

A work made of pen and brown ink, on buff laid paper, laid down on ivory laid paper.

Croatian Peasant, c. 1830

David Wilkie

A work made of brush and brown wash with graphite on ivory wove paper, laid down on card.

Near Southgate, 1815/1825

Frederick Wilton Litchfield Stockdale

A work made of brush and brown wash over graphite, on cream wove paper, laid down on card.

Village, 1806/58

Frederick Wilton Litchfield Stockdale

A work made of pen and brown ink, with brush and brown wash (recto), and pen and brown ink (verso) on cream laid paper.

People at a Table (recto), and Study for Cottage Toilet (verso), c. 1825

David Wilkie

A work made of pen and brown ink, with brush and brown wash (recto), and pen and brown ink with brush and brown wash (verso), on ivory wove paper.

Finding the Scottish Regalia (recto), and Study, Queen Victoria and First Parliament (verso), c. 1835

David Wilkie

A work made of pen and brown ink on tan wove paper.

Study for Right Group, c. 1820

David Wilkie

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