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A work made of lithograph on cream wove paper.

Antoine and Gémier, in Une Faillite, 1893

Henri de Toulouse-Lautrec

A work made of color lithograph on tan wove paper.

The Passenger in Cabin 54—Cruise, 1896

Henri de Toulouse-Lautrec

A work made of color lithograph on tan wove paper.

The Chatelaine, or 'Le Tocsin', 1895

Henri de Toulouse-Lautrec

A work made of color lithograph on tan wove paper.

Aristide Bruant, in His Cabaret, 1893

Henri de Toulouse-Lautrec

A work made of lithograph on cream wove paper.

Anna Held, in Toutes ces Dames au Théâtre, 1894, published 1895

Henri de Toulouse-Lautrec

A work made of graphite and red chalk, with touches of black crayon, heightened with traces of white chalk, on ivory wove paper.

Mademoiselle Cocyle as Helen of Troy in La Belle Helene, 1900

Henri de Toulouse-Lautrec

A work made of lithograph on ivory wove paper.

Eccentric Dance, 1894

Henri de Toulouse-Lautrec

A work made of blue crayon and brush and black and gray wash, with touches of orange crayon, heightened with touches of white oil paint, on tan wove card.

At the Door, 1885

Henri de Toulouse-Lautrec

A work made of lithograph on cream wove paper.

Polaire, 1898, published 1930

Henri de Toulouse-Lautrec

A work made of lithograph on cream wove paper.

Mary Hamilton, 1894, published before 1925

Henri de Toulouse-Lautrec

A work made of lithograph on cream wove paper.

Yvette Guilbert, from Le Café-Concert, 1893

Henri de Toulouse-Lautrec

A work made of lithograph on ivory wove paper.

Jane Avril, from Le Café-Concert, 1893

Henri de Toulouse-Lautrec

A work made of color lithograph on ivory wove paper.

Paula Brébion, from Le Café-Concert, 1893

Henri de Toulouse-Lautrec

A work made of lithograph on ivory laid paper.

Emilienne d'Alençon, from Treize Lithographies, 1898, published before 1906

Henri de Toulouse-Lautrec

A work made of brush and black ink, with black conté crayon, heightened with touches of white gouache, on tan tracing paper, laid down on ivory wove paper.

Study, 1895

Henri de Toulouse-Lautrec

A work made of lithograph in black on grayish-ivory wove china paper.

Cover of L'Estampe originale, with notes, 1893

Henri de Toulouse-Lautrec

A work made of zinc lithographic plate with corners removed and beveled edges, laid down on mauve board and taped to mat.

At the Concert, 1896

Henri de Toulouse-Lautrec

A work made of zinc lithographic plate with corners removed and beveled edges, laid down on mauve board and taped to mat.

At the Concert, 1896

Henri de Toulouse-Lautrec

A work made of zinc lithographic plate with corners removed and beveled edges, laid down on mauve board and taped to mat.

At the Concert, 1896

Henri de Toulouse-Lautrec

A work made of charcoal, with stumping, on cream laid paper.

The Model Nizzavena, c. 1882–1883

Henri de Toulouse-Lautrec

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