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A work made of collage and soft ground etching printed in relief on ivory wove paper.

The Diver, November 29, 1932

Pablo Picasso

A work made of etching, aquatint, and soft ground etching in black on white wove paper.

On Such a Night, 1946

Pennerton West

A work made of etching and soft ground etching, with acid-tint, in black on white wove paper.

A la pintura: White 10-13, 1971, published 1972

Robert Motherwell

A work made of etching and soft ground etching in blue and burnt sienna on white wove paper.

A la pintura: White 10-13, 1968–71, published 1972

Robert Motherwell

A work made of aquatint, line etching, and lift-ground aquatint in orange, and soft ground etching in black, on white wove paper.

A la pintura: To the Palette, 1971, published 1972

Robert Motherwell

A work made of aquatint in crimson and soft ground etching in red on white wove paper.

A la pintura: frontispiece, 1971, published 1972

Robert Motherwell

A work made of etching and soft ground etching in ultramarine blue and ochre on white wove paper.

A la pintura: White 10-13, 1971, published 1972

Robert Motherwell

A work made of etching and soft ground etching in yellow ochre and ultramarine blue on white wove paper.

A la pintura: White 10-13, 1971, published 1972

Robert Motherwell

A work made of aquatint and soft ground etching in blue-green and buff on white wove paper.

A la pintura: White 10-13, 1971, published 1972

Robert Motherwell

A work made of etching and soft ground etching in blue and burnt sienna on white wove paper.

A la pintura: White 10-13, 1968–71, published 1972

Robert Motherwell

A work made of etching and soft ground etching in burnt sienna and blue on white wove paper.

A la pintura: White 10-13, 1968–71, published 1972

Robert Motherwell

A work made of etching and soft ground etching in blue and ochre on white wove paper.

A la pintura: White 10-13, 1968–71, published 1972

Robert Motherwell

A work made of etching, engraving, soft ground etching, and acquaint in black, with embossing, on ivory wove paper.

Etching, Engraving, Soft Ground, Aquatint, and Embossing (City Complex), plate 44 from 101 Prints, 1967

Norman Roland Eppink

A work made of etching, engraving, soft ground etching, and acquaint in black on ivory wove paper.

Etching, Engraving, Soft Ground, and Aquatint (City Complex), plate 43 from 101 Prints, 1967

Norman Roland Eppink

A work made of etching, engraving, and soft ground etching in black on ivory wove paper.

Etching, Engraving, and Soft Ground (City Complex), plate 42 from 101 Prints, 1967

Norman Roland Eppink

A work made of etching and soft ground etching in black on cream wove paper.

Homage to Matthias Grünewald, c. 1962

Igael Tumarkin

A work made of graphite on buff wove paper, traced over for soft ground etching with offset of soft ground on verso, showing through.

Drawing for "Standing Nude", c. 1879

Mary Cassatt

A work made of soft ground etching and aquatint with scraping in black on cream laid paper.

Under the Lamp, c. 1882

Mary Cassatt

A work made of soft ground and aquatint in black on cream laid paper.

At the Dressing Table, c. 1880

Mary Cassatt

A work made of soft ground etching in ochre, with letterpress in black and gray, on white wove paper.

A la pintura: To the Paintbrush, 1969, published 1972

Robert Motherwell

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