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A work made of etching, engraving, soft ground etching, and acquaint in black, with embossing, on ivory wove paper.

Etching, Engraving, Soft Ground, Aquatint, and Embossing (City Complex), plate 44 from 101 Prints, 1967

Norman Roland Eppink

A work made of etching, engraving, soft ground etching, and acquaint in black on ivory wove paper.

Etching, Engraving, Soft Ground, and Aquatint (City Complex), plate 43 from 101 Prints, 1967

Norman Roland Eppink

A work made of etching, engraving, and soft ground etching in black on ivory wove paper.

Etching, Engraving, and Soft Ground (City Complex), plate 42 from 101 Prints, 1967

Norman Roland Eppink

A work made of etching and soft ground etching in black on cream wove paper.

Homage to Matthias Grünewald, c. 1962

Igael Tumarkin

A work made of graphite on buff wove paper, traced over for soft ground etching with offset of soft ground on verso, showing through.

Drawing for "Standing Nude", c. 1879

Mary Cassatt

A work made of soft ground etching and aquatint with scraping in black on cream laid paper.

Under the Lamp, c. 1882

Mary Cassatt

A work made of soft ground and aquatint in black on cream laid paper.

At the Dressing Table, c. 1880

Mary Cassatt

A work made of soft ground etching in ochre, with letterpress in black and gray, on white wove paper.

A la pintura: To the Paintbrush, 1969, published 1972

Robert Motherwell

A work made of soft ground and graphite (recto), and graphite (verso), on translucent wove paper.

A la pintura: White 10-13, 1968–71, published 1972

Robert Motherwell

A work made of soft ground etching in brown ink on cream laid paper.

Lady in Black, in a Loge, Facing Right, c. 1881

Mary Cassatt

A work made of soft ground transfer on newsprint.

A la pintura: To the Palette, 1971, published 1972

Robert Motherwell

A work made of soft ground etching in ochre, with letterpress in black and gray, on white wove paper.

A la pintura: To the Paintbrush, 1969, published 1972

Robert Motherwell

A work made of soft ground etching in ochre, with letterpress in black and gray, on white wove paper.

A la pintura: To the Paintbrush, 1969, published 1972

Robert Motherwell

A work made of soft ground on canvas.

A la pintura: To the Paintbrush, 1969, published 1972

Robert Motherwell

A work made of soft ground etching in black on white wove paper.

A la pintura: White 10-13, 1972

Robert Motherwell

A work made of soft ground etching in ultramarine blue on white wove paper.

A la pintura: Blue 5, 1968, published 1972

Robert Motherwell

A work made of soft ground etching in gray-brown ink on cream laid paper.

On the Balcony, c. 1889

Mary Cassatt

A work made of soft ground etching in black-brown ink on blued white laid paper.

On the Balcony, c. 1889

Mary Cassatt

A work made of soft ground etching and aquatint in black on white wove paper.

A la pintura: To the Paintbrush, 1969, published 1972

Robert Motherwell

A work made of soft ground etching in black on ivory laid paper.

Mr. and Mrs. Cassatt Reading, c. 1882

Mary Cassatt

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