Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of colored pencil and graphite on cream wove paper (discolored to tan).

Betty and James Nicol House, Third Design, Kansas City, Missouri, Interior Perspective, 1966

Bruce Goff

A work made of offset lithograph on paper.

Citicorp Center 4, Poster, 1975

Dan Friedman

A work made of offset lithograph on paper.

Citicorp Center Poster 3, 1975

Dan Friedman

A work made of offset lithograph on paper.

Citicorp Center Poster 2, 1975

Dan Friedman

A work made of walnut.

Perge Modo, 2005

Thaddeus Mosley

A work made of black ash.

Black Ash Teaching, 2018

Kelly Church

A work made of lacquered metal.

Asteroid Lamp, c. 1989

Dan Friedman

A work made of bronze.

Self-Portrait as a Chimera, c. 1880

Sarah Bernhardt

A work made of galvanized wire with wood base.

Untitled (Standing Figure), c. 1954/55

Richard Hunt

A work made of stencil.

The Moralistic Wolf (A Fable), July 19, 1943

Pavel P. Sokolov-Skalia

A work made of transparent watercolor, with touches of opaque watercolor, rewetting, blotting and scraping, over resist and traces of graphite, on medium weight, moderately textured, ivory wove paper, laid down on cream wove paper.

Prout's Neck, Breaking Wave, 1887

Winslow Homer

A work made of graphite and opaque white watercolor on medium thick, slightly textured, tan laid paper with red and blue fibers.

Flamborough Head, England, 1882

Winslow Homer

A work made of pair of six-panel screens; ink, colors, and gold on paper.

The Tale of Taishokan, 1640-80

A work made of transparent watercolor, with touches of opaque watercolor, rewetting, blotting and traces of scraping, on thick, rough-textured, ivory wove paper.

Breaking Storm, Coast of Maine, 1894

Winslow Homer

A work made of graphite on tissue paper.

National Life Insurance Co. Building, Chicago, Illinois, c. 1924

Graham, Anderson, Probst and White

A work made of collage of cut photomechanically printed papers.

Untitled, 2019

Elisabeth Wild

A work made of gelatin silver print.

Untitled, 1949/50, printed later

Yasuhiro Ishimoto

Sceptor

Sceptor, Neolithic

A work made of color woodblock print; page from album (other pages: 1937.294-1937.313).

Persimmons, c. 1930

Endô Kyôzô

A work made of wool, plain weave with supplementary wefts forming cut pile through a technique known as "spanish knots".

Carpet, Before 1473

Islamic

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