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A work made of gelatin silver print.

8:45 p.m. Going home, Marabastad–Waterval bus: 45 minutes to the terminal, 1984

David Goldblatt

A work made of gelatin silver print.

3:15 a.m. Going to work: standing room only now, on the Wolwekraal-Marabastad bus, which is licensed to carry 62 sitting and 29 standing passengers, 1983, printed 2007

David Goldblatt

A work made of gelatin silver print.

4:00 a.m. Going to work, Wolwekraal–Marabastad bus: More than an hour and a half still to go, 1983

David Goldblatt

A work made of dyed fabric over wooden stretcher.

Untitled, 1972

Blinky Palermo

Soirée de Campagne (or, Intérieure)

Soirée de Campagne (or, Intérieure), 1908

Pierre Bonnard

A work made of gelatin silver print.

Untitled, 1965/75, printed 2017

Ibrahima Sanlé Sory

A work made of gelatin silver print.

Wall of Respect, 43rd and Langley, Chicago, 1967

Darryl Cowherd

A work made of gelatin silver print.

Untitled, c. 1965

Ernest Cole

A work made of gelatin silver print.

Untitled, 1965/75

Ibrahima Sanlé Sory

A work made of gelatin silver print.

Untitled, 1965/75

Ibrahima Sanlé Sory

A work made of gelatin silver print.

Untitled, 1965/75

Ibrahima Sanlé Sory

A work made of acrylic on birch plywood panels.

La Grande Jatte, 2023

Spencer Finch

A work made of etching in dark brown on off-white laid paper.

Repose, 1890

Mary Cassatt

A work made of color drypoint and aquatint, with additions in yellow, on white laid paper.

Peasant Mother and Child, c. 1894

Mary Cassatt

A work made of drypoint in black on ivory laid paper.

Repose, c. 1890

Mary Cassatt

A work made of aquatint, with soft ground etching and drypoint, on cream wove paper.

Lydia Reading, 1880-81

Mary Cassatt

The Insect

The Insect, 1950

Roland Ginzel

A work made of color soft ground etching, with vibrograver, and viscosity inking on paper.

A Brief History of Flight, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio, 1975

Warrington Colescott

A work made of color acquaint, engraving, and soft ground etching on cream wove paper.

Untitled, 1948

Pennerton West

A work made of color soft ground etching and aquatint, with vibrograver, relief rolls through stencils on cream wove paper.

S. W. Hayter Discovers Viscosity Printing, from The History of Printmaking, 1976

Warrington Colescott

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