Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of pen and black ink, brush and black ink wash, and opaque watercolor on white wove paper.

Page 5, from Fraternity Magazine, June 1966

Joe Orlando

A work made of pen and black ink, brush and black ink wash, and opaque watercolor on white wove paper.

Page 4, from Fraternity Magazine, June 1966

Joe Orlando

A work made of gelatin silver print.

National Stadium Crowd, 1977, printed later

Marilyn Nance

A work made of gelatin silver print.

Tafawa Balewa Square Crowd, 1977, printed later

Marilyn Nance

A work made of woodcut in black, colored, and metallic inks on cream japanese paper.

Hopi with Manta, from Memorial Woodcut Suite, 1978, published 1979

T. C. Cannon

A work made of pen and black ink, brush and black ink wash, and opaque watercolor on white wove paper.

Page 3, from Fraternity Magazine, June 1966

Joe Orlando

A work made of pen and black ink, brush and black ink wash, and opaque watercolor on white wove paper.

Page 2, from Fraternity Magazine, June 1966

Joe Orlando

A work made of graphite pencil on cream wove paper.

Study for Angelus Lumen/Octo, c. 1964

Dan Ramirez

A work made of graphite on ivory wove paper.

Study for Angelus Lumen/Octo, c. 1964

Dan Ramirez

A work made of graphite and colored pencil on white wove paper.

Drawing for "Averno", 2020

Richard Rezac

A work made of pen and black ink, brush and black ink wash, and opaque watercolor on white wove paper.

Page 1, from Fraternity Magazine, June 1966

Joe Orlando

A work made of pen and black ink, with blue pencil and red-felt tipped pen, on pieced, white wove paper and red felt-tipped pen on two sheets of tracing paper.

A Mad Look at the...Disney Worlds, September 1985

Sergio Aragones

A work made of brush and black ink and pen and ink, with opaque white watercolor, on white wove paper.

Cop Art (LBJ), January 1968

George Woodbridge

A work made of brush and black ink and pen and black ink, with opaque white watercolor, on white wove paper.

The Were-Wolf, June 1968

George Woodbridge

A work made of brush and black ink and pen and black ink with graphite pencil, watercolor, colored plastic films, and cut and pasted, printed text on white wove paper.

Page 5, C.O.P. Clones Our Product, March 1988

Mort Drucker

A work made of pen and black ink with black colored pencil, graphite pencil, watercolor, colored plastic films, and cut and pasted, printed text on white wove paper.

Page 3, C.O.P. Clones Our Product, March 1988

Mort Drucker

A work made of brush and black ink and pen and black ink with graphite pencil, watercolor, colored plastic films, and cut and pasted, printed text on white wove paper.

Page 6, C.O.P. Clones Our Product, March 1988

Mort Drucker

A work made of brush and black ink and pen and black ink with graphite pencil, watercolor, colored plastic films, and cut and pasted, printed text on white wove paper.

Page 4, C.O.P. Clones Our Product, March 1988

Mort Drucker

A work made of opaque watercolor on paper board, with a collage of cut and pasted text, printed red mylar, watercolor on white wove paper, and plastic film.

MAD Fold-In: “What is the Most Explicitly Taught Subject in the Whole World?”, June 1974

Al Jaffee

A work made of opaque watercolor on paper board, with a collage of cut and pasted text, red and white wove paper, and plastic film.

MAD Fold-In: “Which of Nature's Ravages Continues to Defy Modern Technology”, July 1973

Al Jaffee

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