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A work made of drypoint in black on pale blue laid paper.

Portrait of James McNeill Whistler, 1897

Paul-César Helleu

A work made of transfer lithograph in black on ivory plate paper.

Portrait Study: Mrs. Philip, No. 3, 1897

James McNeill Whistler

A work made of transfer lithograph in black on ivory plate paper.

Portrait Study: Mrs. Philip, No. 2, 1897

James McNeill Whistler

A work made of transfer lithograph in black with stumping, on ivory laid paper.

Sketch of William E. Henley, 1896

James McNeill Whistler

A work made of transfer lithograph in black on ivory laid paper.

St. Anne's, Soho, 1896

James McNeill Whistler

A work made of lithotint, in black ink, with scraping, on cream wove proofing paper.

The Thames, 1896

James McNeill Whistler

A work made of transfer lithograph in black on cream laid paper.

The Butcher's Dog, 1896

James McNeill Whistler

A work made of transfer lithograph in black with stumping, on grayish ivory china paper.

The Shoemaker, 1896

James McNeill Whistler

A work made of transfer lithograph in black on buff laid paper.

The Medici Collar, 1897

James McNeill Whistler

A work made of transfer lithograph in black with stumping and scraping, on cream wove proofing paper.

By the Balcony, 1896

James McNeill Whistler

A work made of transfer lithograph in black on cream laid paper.

Waterloo Bridge, 1896

James McNeill Whistler

A work made of transfer lithograph in black, with stumping, on cream japanese paper.

The Siesta, 1896

James McNeill Whistler

A work made of transfer lithograph in black with stumping, on cream laid paper.

Little London, 1896

James McNeill Whistler

A work made of transfer lithograph in black with stumping, scraping, and incising, on cream laid paper.

Charing Cross Railway Bridge, 1896

James McNeill Whistler

A work made of transfer lithograph in black with stumping, on cream laid paper.

Evening, Little Waterloo Bridge, 1896

James McNeill Whistler

A work made of transfer lithograph in black on ivory laid paper.

Savoy Pigeons, 1896

James McNeill Whistler

A work made of transfer lithograph in black on grayish ivory chine, laid down on cream wove japanese vellum.

Study No. 2: Mr. Thomas Way, 1896

James McNeill Whistler

A work made of transfer lithograph in black on grayish white chine, laid down on white plate paper.

Study No. 1: Mr. Thomas Way, 1896

James McNeill Whistler

A work made of transfer lithograph in black on grayish ivory chine, laid down on off-white plate paper.

Thomas Way, 1896

James McNeill Whistler

A work made of transfer lithograph in black ink on cream wove japanese vellum.

Study: Joseph Pennell, 1896

James McNeill Whistler

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