Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of pen and black ink, and black fiber-tipped pen, with touches of white correcting fluid and non-photo blue pencil, over graphite, with cut-and-pasted text, on ivory wove card.

In the Secret Cellar Laboratory of Sidney Sykes…David Banner Awakes!, from The Incredible Hulk, 1981

Larry Lieber

A work made of pen and black ink, non-photo blue pencil, and white correcting fluid on white wove paper.

The Don King Institute of Accounting, from Curtis, 1995

Ray Billingsley

A work made of pen and black ink with photostat title header and copyright labels laid down on ivory wove paper.

My Father Doesn't Understand Me, from the small society, n.d.

Morrie Brickman

A work made of brush and black ink on white wove paper.

Psst...Have you tried Retin-A?, from Mother Goose & Grimm, c. 1988

Mike Peters

A work made of pen and black ink, white correcting fluid and black fiber-tipped pen on cream wove paper.

All You Could Hear was the Rustling of Her Psoriasis, from Casey, 1977

Charles Rodrigues

A work made of pen and brush and black ink, with non-photo blue pencil, touches of graphite, and white correcting fluid on ivory card.

Daddy, I'm Having Trouble with My Homework, from Blondie, 1958–60

Chic Young

A work made of pen and brush and black ink, with touches of graphite, non-photo blue and colored pencil, and cut-and-pasted photostat text and self-adhesive halftone film on ivory card.

Oh — I forgot to tell Blondie about the insurance payment, from Blondie, 1958–60

Chic Young

A work made of pen and brush and black ink, with non-photo blue and colored pencil, graphite, and cut-and-pasted handwritten and photostat text on ivory card.

Look at the bargain, from Blondie, 1958–60

Chic Young

A work made of graphite with smudging, heightened with lead white gouache, on blue wove paper.

A Country Scene, July 1848

John La Farge

A work made of pen and brush and black ink, with brush and colored wash, graphite, non-photo blue pencil, and cut-and-pasted photostat text on ivory card.

Daisy, Bring Me My Slippers, from Blondie, 1958–60

Chic Young

A work made of pen and brush and black ink, with non-photo blue and colored pencil, touches of graphite, and cut-and-pasted handwritten and photostat text on ivory card.

Come Now, Get to Work and Clean Your Rooms, from Blondie, 1958–60

Chic Young

A work made of pen and black ink and brush and gray wash, with touches of white gouache, on off-white illustration board.

Animal Habitat in New York, 1986

Will Elder

A work made of collage composed of colored pencils, with traces of graphite, on off-white wove paper, laid down on cream wove paper.

Reclining Woman + Lines of Space, 1911/13

Giacomo Balla

A work made of watercolor over graphite on ivory wove paper.

Landscape with Erupting Volcano, Bridge and Wedding Party, n.d.

Ernst Damitz

A work made of black chalk with traces of white chalk on gray-brown wove paper.

Study for The Festival, 1871

Sir John Edward Poynter

A work made of colored pencils on buff wove paper, discolored to tan.

Mlle Pogany, c. 1913

Constantin Brancusi

A work made of colored inks and watercolor, with pen and black ink, on cream wove paper-faced board.

Untitled, c. 1941

William Baziotes

A work made of pen and brush and black ink, with touches of graphite on off-white wove paper.

Untitled, 1956

Karl Stanley Benjamin

A work made of gelatin silver print, unique.

Another Country, 1991

Carrie Yamaoka

A work made of colored inks and watercolor, with pen and black ink, on cream wove paper-faced board.

Untitled, c. 1941

William Baziotes

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