Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of pen and brush and black ink over graphite with erasing on ivory card, laid down on ivory paper.

Sparkle Plenty Welcomes Mr. Kubicek and Mr. Gould, 1950s

Chester Gould

A work made of pen, brush, and black ink over graphite, with erasing and blue wash with white gouache, and cut-and-pasted papers, on ivory card.

But the thing that bothered me most in visiting England was the way they wasted man-hours knocking off for tea, from Mostly Malarky, 1953

Wally Carlson

A work made of gelatin silver print heightened and drawn on with pen and black ink.

Portrait of Dorothy Bond, 1950s

Baker Studios

A work made of black chalk on ivory laid paper.

An Elegant Young Woman in a Garden, c. 1785

Alexandre Moitte

A work made of black fiber tipped pen with brush and blue watercolor and graphite on cream wove paper.

Igloo Cradle, c. 1960

Adrian Lamb

A work made of pen and black ink, and brush and colored washes, over touches of graphite, on seven sheets of cream wove paper.

Thousands of People Own Canaries, from Household Pe(s)ts: The Canary, c. 1960

Ed Nofziger

A work made of pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card.

Panel Two from "The Incredible Bulk", January 1979

Angelo Torres

A work made of pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card.

Panel One from "The Incredible Bulk", January 1979

Angelo Torres

A work made of pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card.

Panel Five from "The Incredible Bulk", January 1979

Angelo Torres

A work made of pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card.

Panel Four from "The Incredible Bulk", January 1979

Angelo Torres

A work made of pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card.

Panel Three from "The Incredible Bulk", January 1979

Angelo Torres

A work made of pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card.

Panel Seven from "The Incredible Bulk", 1979

Angelo Torres

A work made of pen and black ink, with blue and gray fiber-tipped pen, ruled with blue fiber-tipped pen over graphite on white card; notations in black and red fiber-tipped pen with correction in white correction fluid.

Panel Six from "The Incredible Bulk", 1979

Angelo Torres

A work made of bone, staghorn, limewood, birchbark, rawhide, leather, and iron.

Saddle, 1400-20

A work made of pen and black ink, and brush and colored ink washes, with touches of opaque white, on ivory wove paper laid down on ivory card, with squares of yellow ink on the card corresponding to openings in the primary support.

Untitled (Bloody Sword Battle), c. 1980

Marie Severin

A work made of pen and black ink on cream wove paper.

Toy Trumpets, c. 1960

Robert Day

A work made of graphite with brush and gray wash and black crayon on cream wove paper.

"You rang, sir?", c. 1960

Bob Kraus

A work made of pen and black ink, with brush and red wash, over graphite, on cream wove paper, caption in red ballpoint pen.

Recreation Room, c. 1960

Stan Fine

A work made of steel and leather.

Shaffron, 1540/70

A work made of steel.

Half-Shaffron, c. 1560

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