Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of cotton, plain weave, block printed.

Panel (Dress or Furnishing Fabric), 1922/1928

Laura Lange

A work made of cotton, plain weave; block printed.

Panel (Dress or Furnishing Fabric), 1920s

Ruth Hildegard Geyer-Raack

A work made of cotton, plain weave; block printed.

Panel (Dress or Furnishing Fabric), 1923/27

Laura Lange

A work made of cotton, plain weave; block printed.

Panel (Dress or Furnishing Fabric), c. 1925

Deutsche Werkstätten GmbH.

A work made of cotton, plain weave; block printed.

Panel (Dress or Furnishing Fabric), c. 1925

Richard Lisker

A work made of cotton, machine-made lace: twist net; machine embroidered laid work and couching.

Panel (Curtain Fabric), Mid–1920s

Tommi Parzinger

A work made of cotton, plain weave; block printed.

Panel (Dress or Furnishing Fabric), c. 1925

Richard Lisker

A work made of wool, polyester and metalized polyester film, felted; cotton machine embroidery.

The Dancers, 1969

Šárka Šefranková Beneš

A work made of cotton, machine-made lace: twist net; machine embroidered laid work and couching.

Panel (Curtain Fabric), 1920s

Laura Lange

A work made of cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads.

Portière, 1901

George Washington Maher

A work made of silk, warp-float faced 4:1 satin weave; embroidered with silk and silk chenille in split, surface satin, and stem stitches; couching; with human hair.

Mourning Sampler, About 1810

Mary Balch's School

A work made of wool (camelid); stripes of warp-faced plain weave, plain weave with paired warps and supplementary warp patterning; applied cotton and wool (camelid), braided trims; glass buttons; two panels joined in figure eight stitch; wool (camelid) knitted binding edge.

Woman's Mantle (Llijlla), 1900/1970

Quechua

A work made of wool (camelid), stripes of warp-faced plain weave and complimentary patterning warp; two panels joined with wool (camelid) in figure eight stitch; applied cotton, and cotton with wool (camelid) braided trims; embroidered with wool (camelid) in fishbone stitch.

Woman's Mantle (Llijlla), 1900/1970

Quechua

A work made of cotton, plain weave; block printed.

Severn, Design 1887–90; made 1887–1917

John Henry Dearle

A work made of cotton and wool, double interlocking tapestry weave.

Tegn I (Sign), 1970

Jan Groth

A work made of linen, plain weave; embroidered with silk in cross, satin, individual satin, split, and stem stitches; edged with silk, plain weave.

Sampler, 1793

Ann Sellers

A work made of wool and cotton; tapestry weave.

Les Saltimbanques (The Entertainers), 1959

Liliane Badin

A work made of album of twelve leaves; ink on paper.

Ghosts, Qing dynasty (1644–1911), 1893

Yao Luan

A work made of silk; twill weave with supplementary patterning wefts.

Kesa (Formerly Nō Costume), 18th century, Edo period (1615–1868)

A work made of linen ground embroidered with silk and metal threads; attached pearls and mirrors.

Needlework Panel, Late 17th century

<<<541542543544 >>>