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A work made of etching and engraving on ivory wove paper.

Camille Renault, 1945

Jacques Villon

A work made of woodcut on cream wove paper.

Italian Man, 1906

Emil Nolde

A work made of lithograph in black on white wove paper.

"- How are you feeling today, Mr. Chapolard? - Madame Pochet, a concierge who knows how to behave, should address her landlord only in the third person. - How can I talk to you in the third person, since you are the first person I am seeing this morning," plate 11 from Croquis Parisiens, 1852

Honoré-Victorin Daumier

A work made of color lithograph on cream wove paper.

Tell that to the Marines!, 1914/18

James Montgomery Flagg

A work made of lithograph in black on white wove paper.

The Jayotype. "- Mr. Jay: The gentleman is married? - The gentleman: Certainly, but how the devil did you know that? - Mr. Jay: Oh, its that this instrument is perfect, that no curve of the head, no bump on the forehead can escape it. - The gentleman: How ingenious!," plate 60 from Moeurs Conjugales, 1842

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

He delights in the ball, plate 10 from Les Banqueteurs, 1849

Honoré-Victorin Daumier

A work made of etching on ivory wove paper.

Coney Island Beach, 1934

Reginald Marsh

A work made of lithograph in black on cream wove paper.

The Bourgeois and His Tailor, plate 5 from Les Bons Bourgeois, 1847

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

Rifolard opens the ball and executes a bold dancing step forward, which receives widespread praise, plate 5 from Les Banqueteurs, 1848

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

"The thermometer of the engineer Chevalier was right... at 10 degrees the large rivers as well as the noses have cought a cold... just imagine that it might take three weeks for my nose to thaw!...," plate 5 from Paris L'hiver, 1845

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

Past Midnight, plate 19 from Locataires et Propriétaires, 1847

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

The First Dance Lession, from Les Papas, 1848

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

"I never give a tip to the waiter... it encourages celibacy," plate 1 from Les Habitués Des Cafés, 1851

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

Two Good Neighbors, plate 25 from Locataires Et Propriétaires, 1847

Honoré-Victorin Daumier

A work made of lithograph in black on off-white wove paper.

Worker and Bourgeois, from Les Parisiens En 1848, 1848

Honoré-Victorin Daumier

A work made of lithograph on white wove paper.

An Activist, from Les Femmes Socialistes, 1849

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

Geogaphic Scarves. "Look Dodolphe, this is really the last sacrifice I'll do for your education... if you still don't get your geography right, it means you are completely clogged up... this time I'll stick your nose into it. To start with, you'll just need to make sure during the first day to only blow your nose in Normandy.... I'll slap you in the face if you blow your nose in the Channel!," plate 89 from Actualités, 1842

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

"- You are not having your bottle of beer with us this evening... I can tell you are having a private dinner party today, you scoundrel...," plate 81 from Les Bons Bourgeois, 1849

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

The danger of being caught in a steeple chase, plate 12 from Pastorales, 1845

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

"- Oh my God, Mama, mama!........ For heaven's sake..... my daughter, my daughter!!!," plate 26 from Pastorales, 1845

Honoré-Victorin Daumier

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