Results for artworks - Page 512 from chicago

Six-folded screen decorated on the upper level with full-heigh figures representing seasons and parts of the world. The lower band-like level is decorated with an image of a columnar open terrace.

Screen: Africa (Panel Four), c. 1820

A work made of cotton, plain weave; block printed.

Panel (Dress or Furnishing Fabric), c. 1925

Josef Hillerbrand

Print of a woman in a blue, patterned dress, seated at a desk and licking an envelope closed.

The Letter, 1890–91

Mary Cassatt

Print in tan, brown, and gray of a woman by a mirror in a cream dress while another kneels, tending to her hem.

The Fitting, 1890–91

Mary Cassatt

Half-disrobed woman viewed from behind washes in a basin in front of a vanity mirror. The rug and pitcher to her left both have a graphic floral motif.

Woman Bathing, 1890–91

Mary Cassatt

A work made of tin-glazed earthenware (faience).

Plate, 18th century

Dish, c. 1700

Frankfurt-am-Main Pottery

Plate, c. 1700

Plate, 1680/1700

Bowl, c. 1700

Frankfurt-am-Main Pottery

A work made of tin-glazed earthenware (delft).

Covered Bowl, c. 1700

A work made of tin-glazed earthenware (faience) and metal mount.

Cider Jug, c. 1760

A colored print of two women in dresses, one with a child, with bus windows revealing a bridge behind them.

In the Omnibus, 1890–91

Mary Cassatt

Demolition–Butte des Moulin, c. 1876

Paul Renouard

Teapot in the form of a Rooster, Early 18th century

A work made of tin-glazed earthenware and polychrome enamels.

Plaque: The Geese of Brother Phillippe (Les Oies du Frere Philippe), c. 1750

Künersberg Faience Manufactory

A work made of color aquatint and drypoint, with softground, on ivory laid paper.

The Lamp, 1890–91

Mary Cassatt

A work made of color aquatint with burnishing, drypoint, and softground, on ivory laid paper.

The Bath, 1890–91

Mary Cassatt

A work made of linen and wool, plain weave with supplementary wrapping wefts forming uncut loop pile and insets of slit and dovetailed tapestry weave with eccentric and supplementary wrapping weft details.

Fragment, 5th-6th century

A work made of tin-glazed earthenware (faience) and pewter.

Screen: Africa (Panel Four), c. 1820

Panel (Dress or Furnishing Fabric), c. 1925

The Letter, 1890–91

The Fitting, 1890–91

Woman Bathing, 1890–91

Plate, 18th century

Dish, c. 1700

Plate, c. 1700

Plate, 1680/1700

Bowl, c. 1700

Covered Bowl, c. 1700

Cider Jug, c. 1760

In the Omnibus, 1890–91

Demolition–Butte des Moulin, c. 1876

Teapot in the form of a Rooster, Early 18th century

Plaque: The Geese of Brother Phillippe (Les Oies du Frere Philippe), c. 1750

The Lamp, 1890–91

The Bath, 1890–91

Fragment, 5th-6th century

Tankard, 1730/50

Screen: Africa (Panel Four), c. 1820

Panel (Dress or Furnishing Fabric), c. 1925

The Letter, 1890–91

The Fitting, 1890–91

Woman Bathing, 1890–91

Plate, 18th century

Dish, c. 1700

Plate, c. 1700

Plate, 1680/1700

Bowl, c. 1700

Covered Bowl, c. 1700

Cider Jug, c. 1760

In the Omnibus, 1890–91

Demolition–Butte des Moulin, c. 1876

Teapot in the form of a Rooster, Early 18th century

Plaque: The Geese of Brother Phillippe (Les Oies du Frere Philippe), c. 1750

The Lamp, 1890–91

The Bath, 1890–91

Fragment, 5th-6th century

Tankard, 1730/50