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A work made of etching on copper in black on ivory, wove (imitation japanese) paper.

The Fall of Phaeton with the Sun Chariot, from Les Métamorphoses, September 20, 1930, published 1931

Pablo Picasso

A work made of etching on copper in black on ivory, wove (imitation japanese) paper.

Profile and Head of a Woman, from Les Métamorphoses, published 1931

Pablo Picasso

A work made of etching on copper in black on ivory, wove (imitation japanese) paper.

Deucalion and Pyrrha Create a New Human Race, from Les Métamorphoses, September 20, 1930, published 1931

Pablo Picasso

A work made of graphite on ivory wove paper.

Three Nudes Reclining on a Beach, 1920

Pablo Picasso

A work made of graphite on ivory wove paper.

Pierrot, 1918

Pablo Picasso

A work made of brush and black ink and gouache on cream wove paper, folded.

The Faun Musician, June 7–11, 1947

Pablo Picasso

A work made of portfolio cover with line block in black on off-white, wove paper, cut and laid down on cream (with blue fibers), laid paper, folded, containing letterpress and line block in black with additions in graphite on cream japanese paper.

Text and title page for The Dream and Lie of Franco, 1937

Pablo Picasso

A work made of text pages from the previously bound text of 32 aquatint plates, text pages and, book cover.

Text from Histoire naturelle, published May 26, 1942

Pablo Picasso

A work made of aquatint, sugar lift etching, scraping, and drypoint on ivory laid paper.

The Grasshopper, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint and sugar lift etching with scraping and drypoint on copper in black on off-white laid paper.

The Frogs, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint, sugar lift etching, scraping, and drypoint on ivory laid paper.

The Toad, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint, sugar lift etching, and drypoint on copper in black on ivory laid paper.

The Lizard, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint and sugar lift etching with scraping and drypoint on copper in black on off-white laid paper.

The Dragonfly, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint, sugar lift etching, scraping, and drypoint on ivory laid paper.

The Spider, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint and sugar lift etching with drypoint on copper in black on off-white laid paper.

The Lobster, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint, sugar lift etching, scraping, and drypoint on ivory laid paper.

The Pigeon, from Histoire naturelle, February 7, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint and sugar lift etching with scraping and drypoint on copper in black on off-white laid paper.

The Turkey, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint, sugar lift etching, and drypoint on copper in black ivory laid paper.

The Mother Hen, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint, sugar lift etching, scraping, and drypoint on ivory laid paper.

The Rooster, from Histoire naturelle, February 7, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint and etching on copper in black on off-white laid paper.

The Ostrich, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

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