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A work made of etching in black on cream wove paper.

Venetian Walls, 1926

Donald Shaw MacLaughlan

A work made of etching in black on cream laid paper.

The Steps of the Salute, Venice, 1926

Donald Shaw MacLaughlan

A work made of aquatint with etching in black on ivory laid paper.

Wooded Lane at Pontoise, 1879

Camille Pissarro

A work made of etching in brown on cream laid paper.

On the Fondamenta, 1922

Donald Shaw MacLaughlan

A work made of aquatint and etching in black on off-white wove card.

Wooded Lane at Pontoise, 1879

Camille Pissarro

A work made of drypoint on cream wove paper.

Man Drinking, n.d.

Robert Genin

A work made of etching in black on cream laid paper.

Limb of Tree with Foliage, 1924

Donald Shaw MacLaughlan

A work made of etching in black on cream wove paper.

A Street in Tours, 1926

Donald Shaw MacLaughlan

A work made of lithograph in yellow, dark blue, light blue, green, red and peach on ivory wove paper.

The Port of St. Tropez II, from the seventh album of L'Estampe originale, 1894

Paul Signac

A work made of etching in black on cream laid paper.

A Street in Tours, 1926

Donald Shaw MacLaughlan

A work made of silk; cut, uncut voided velvet against plain weave foundation.

Fragment, 16th century

A work made of silk, plain weave with two color supplementary pile warps forming cut and uncut voided velvet.

Chasuble (Back), 1575/1625

A work made of etching in black on cream wove paper.

The Bathers, 1651, printed 1906

Donald Shaw MacLaughlan

A work made of hanging scroll; ink on paper.

Scholar in Landscape, Yuan dynasty (1280–1368), 14th century or later

Gao Kekong

A work made of silk; cut, voided velvet against plain weave foundation.

Fragments, 16th century

A work made of silk, plain weave with silvered-metal-strip supplementary facing wefts and supplementary pile warps forming cut and uncut voided velvet.

Fragment, Late 16th century

A work made of silk, plain weave with supplementary pile warps forming cut and uncut voided velvet; edged with silk, plain weave with supplementary patterning warps and extended ground weft uncut fringe.

Chasuble (Front and Back), 17th century

A work made of color woodblock print.

Rain, Paris (A), 1960

Saito Kiyoshi

A work.

Cover?, 1750/75

A work made of silk, gilt-metal-strip-wrapped silk, warp stripes of: plain weave, warp-float faced 7:1 satin weave with supplementary brocading wefts bound in twill interlacing, and warp-float faced 7:1 satin weave with supplementary brocading wefts and self-patterned by areas of plain weave.

Panel, 1690s

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