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A work made of text and cover with 67 wood engravings, bound with black tooled leather spine gilded with the title, artist and date, and corners over canvas-covered boards embellished with an impression of the cover wood engraving in gold. 12 etchings hors-texte stored separately..

Le Chef d'oeuvre inconnu, published 1931

Pablo Picasso

A work made of aquatint and sugar lift etching on ivory laid paper.

The Horse, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of lithograph in black on ivory wove paper.

The Check Cloth Bodice, March 26, 1949

Pablo Picasso

A work made of aquatint and sugar lift etching on copper in black on ivory wove paper.

The Wounded Picador, June 20, 1952

Pablo Picasso

A work made of aquatint, with scraping and drypoint on white wove paper.

The Hen, June 23, 1952

Pablo Picasso

A work made of pen and brown ink on tan wove paper laid down on cream card.

Young Girl Washing Herself, c. 1905

Pablo Picasso

A work made of drypoint on ivory wove paper.

The Nude Model, 1927

Pablo Picasso

A work made of linoleum engraving on ivory wove paper.

The Banderilleros, August 26, 1959, published 1960

Pablo Picasso

A work made of wood, metal, plastic, nails, screws, paint, twine, paper, and concrete.

Figure, 1935

Pablo Picasso

A work made of oil on panel.

Abstraction: Background with Blue Cloudy Sky, January 4, 1930

Pablo Picasso

Painting of a woman in white dress with a baby in her lap.

Mother and Child, 1921

Pablo Picasso

An abstract assemblage of highly colorful, textured, patchwork fragments vaguely form a moustached human figure and architectural elements.

Man with a Pipe, 1915

Pablo Picasso

A work made of pen and brown ink and watercolor, with blotting, on cream laid paper.

Woman in Profile, c. 1904

Pablo Picasso

A black print on ivory paper shows a large nude fawn kneeling as he lifts the bed covers from a nude sleeping woman on a bed on the right. Her figure is presented in a much less detailed fashion, mostly an outlined form, while the rest of the scene, the fawn and the room's interior, are rendered with greater detail.

Faun Uncovering a Sleeping Woman (Jupiter and Antiope, after Rembrandt), from the Vollard Suite, June 12, 1936, printed and published 1939

Pablo Picasso

A work made of etching on copper in black on off-white laid paper.

Marie-Thérèse, Sculptor, and Sculpture Representing a Greek Athlete, from the Vollard Suite, April 11, 1933, printed 1939

Pablo Picasso

A work made of etching on copper in black on off-white laid paper.

Marie-Thérèse Kneeling, Contemplating a Sculpted Group, from the Vollard Suite, April 5, 1933; printed 1939

Pablo Picasso

A work made of etching on copper in black on off-white laid paper.

Sculptor Working on a Motif with Marie-Thérèse Posing, from the Vollard Suite, March 31, 1933, printed 1939

Pablo Picasso

A work made of etching on copper in black on off-white laid paper.

Young Greek Sculptor with His Sculpture: A Man and an Ephebe, from the Vollard Suite, March 27, 1933, printed 1939

Pablo Picasso

A work made of etching on copper in black on off-white laid paper.

Model and Sculptor with His Sculpture, from the Vollard Suite, March 17, 1933, printed 1939

Pablo Picasso

A work made of etching on copper in black on off-white laid paper.

Sculptor, Reclining Model, and Self-Portrait as Sculpture of Hercules, from the Vollard Suite, March 17, 1933; printed 1939

Pablo Picasso

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