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A work made of tin-glazed earthenware (faience) and pewter.

Jug, c. 1720

Earthenware wine jug decorated with green drips and covered with a pewter lid.

Wine Jug, 1700/25

A work made of pen and brown ink, over black chalk, on ivory laid paper, laid down on pale green laid paper.

Rural Crossroads, with Farm Buildings in Foreground, 1734

Carlo Antonio Tavella

A work made of pen and brown ink, with brush and brown wash, over red chalk, on ivory laid paper, laid down on tan wove paper.

Salome with the Head of Saint John the Baptist Before Herod, 1695/1741

Giovanni Antonio Pellegrini

A work made of black chalk, heightened with white chalk, on gray-brown paper.

Triumph of Neptune and Amphitrite, 1706–07

Louis de Boullongne, the younger

A work made of pen and black ink, with brush and pale brown wash, over touches of graphite, on cream laid paper.

The Triumph of Truth Over Heresy, c. 1710

François Boitard

A work made of pen and brush and brown ink, with black chalk, on ivory laid paper, laid down on ivory laid paper.

Judgement of Paris, n.d.

Francesco Trevisani

A work made of pen and brown ink, with brush and gray wash, over black chalk, on ivory laid paper, laid down on cream laid paper.

Landscape along a River, n.d.

Michel Ange Houasse

A work made of pen and brown ink, with brush and brown wash and black chalk, heightened with touches of white chalk, on grayish-tan laid paper, laid down on cream laid paper.

Venus and Adonis, n.d.

Louis Chéron

A work made of red chalk, on buff laid paper, laid down on cream laid paper.

Birth of Venus, n.d.

Michel Ange Corneille

A work made of pen and brown ink, with brush and gray wash, and traces of graphite, on ivory laid paper, laid down on cream laid paper.

Landscape with an Old Castle, n.d.

Michel Ange Houasse

A work made of black chalk, heightened with white chalk, on greenish-blue laid paper, perimeter mounted on cream laid paper.

Cavalry Fight, n.d.

Follower of Jacques Courtois

A work made of red chalk, on ivory laid paper.

Dock Scene (recto); Two Sketches of Male Figures (verso), 1660/64

Guillaume Courtois

A work made of counterproof of a red chalk drawing on buff laid paper, laid down on cream laid paper.

Pietà, c. 1750-1800

Louis Jean François Lagrenée, I

A work made of pen and brown ink, over traces of black chalk (recto) and graphite (verso) on ivory laid paper.

Aeneas in the Elysian Fields (recto); Sketches of Groups of Figures (verso), n.d.

Raymond de Lafage

A work made of black chalk, heightened with white chalk, on brown laid paper, laid down on cream laid card.

Study for Saint Louis Healing the Sick, c. 1654

Eustache Le Sueur

A work made of pen and grayish-black ink, and brush and gray wash, on cream laid paper, laid down on buff board.

Plymouth Harbor, n.d.

Claude Joseph Vernet

A work made of pen and brown ink and brush and brown wash, on tan laid paper, laid down on cream laid paper.

Design for a Stained Glass Window with the Story of Aaron, n.d.

Jean Cousin, the younger

A work made of black chalk and brush and black gouache, heightened with white chalk and lead white (discolored), on blue laid paper, laid down on ivory laid paper.

Gentleman's Portrait, 1698

Hyacinthe Rigaud

A work made of black chalk, heightened with white chalk, on blue laid paper.

Partridge, n.d.

Jean-Baptiste Oudry

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