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A work made of soot and saliva, applied with sharpened stick and smudging, with crayon and blue ink, on found paper, folded and wrapped around card.

Untitled (Blonde figure no. 2), n.d.

James Castle

A work made of soot and saliva, applied with sharpened stick and smudging, with crayon and blue ink, on found paper, folded and wrapped around card.

Untitled (Blonde figure no. 3), n.d.

James Castle

A work made of soot and saliva, applied with sharpened stick, on found card prepared with colored paper pulp (pulp painting).

Untitled, n.d.

James Castle

A work made of soot and saliva, applied with sharpened stick and smudging, with crayon and blue ink, on found paper, folded and wrapped around card.

Untitled (Blonde figure no. 4), n.d.

James Castle

A work made of double-sided drawing of soot and saliva, applied with sharpened stick and smudging, on found card, creased (unfolded box).

Untitled, n.d.

James Castle

A work made of soot and saliva, applied with sharpened stick and smudging, on found paper.

Untitled, 1950/77

James Castle

A work made of double-sided drawing of soot and saliva, applied with sharpened stick and smudging, on found card.

Untitled, n.d.

James Castle

Portrait of a Gentleman

Portrait of a Gentleman, 1822–29

Samuel F. B. Morse

Dark moody painting of crumbling castle tower and walls amidst river and forest.

Landscape with the Ruins of the Castle of Egmond, 1650–55

Jacob van Ruisdael

A work made of soot and saliva, applied with sharpened stick, on commercially-printed found paper, bound with shoelaces into book.

Untitled (Book), n.d.

James Castle

A work made of soot and saliva, applied with sharpened stick and smudging, on found moiré paper.

Untitled (Geese), n.d.

James Castle

A work made of wood, canvas, paper, polychrome colors, and gilding.

Folding Screen (Biombo), 17th century

Portrait in profile overlaid with purple printed patterns. This screen blocks some light, distorting image, reducing detail.

Passing Through the Opposite of What It Approaches, Chapter 25 (Portrait of Anne Rorimer), 2012

R. H. Quaytman

A work made of steel.

Pair of Armored Reins, 19th century in 16th century German style

A work made of silk embroidery and paint on a silk ground; original frame and glass.

Portraits of Serafina, Gaetanino and Ciccillo di Ottaiano, 1815

Marquis Filippo Petrone

A work made of wool, hand-knotted pile and primary weft; cotton warp.

Fuel, 2016

Faig Ahmed

A work made of oil on composition board.

Girl with the Green Face, 1910

Alexei Jawlensky

A work made of linocut in dark gray on ivory wove paper.

Still-Life with Lunch I, 1962, printed April 3, 1962

Pablo Picasso

A work made of linocut in gray-green, reddish brown and cream on ivory wove paper.

Still-Life with Lunch I, 1962, printed April 2, 1962

Pablo Picasso

A work made of linocut in reddish brown, gray and light cream on ivory wove paper.

Still-Life with Lunch I, 1962, printed April 10, 1962

Pablo Picasso

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