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A work made of etching in black on cream wove paper.

Coal Dock, Bridgeport, 1888-89

John Henry Twachtman

A work made of etching in black and pen and black ink and graphite on ivory laid paper.

The Old Toll House at Bridgeport (Large Plate), 1888

John Henry Twachtman

A work made of etching in black on ivory wove paper.

Mill in Holland, 1884/89

John Henry Twachtman

A work made of etching and drypoint in black on cream wove paper.

Four Boats, 1881/85

John Henry Twachtman

A work made of etching in black on cream wove paper.

Windmills, 1881, printed 1921

John Henry Twachtman

A work made of etching and drypoint in black cream wove paper.

Snow Landscape, 1879–83

John Henry Twachtman

A work made of etching in black on cream wove paper.

Mill Creek, Cincinnati, 1879-80

John Henry Twachtman

A work made of etching in black on cream wove paper.

Autumn Landscape, 1879–80, printed 1921

John Henry Twachtman

A work made of etching in brown on tan wove paper.

Harbor with Barges, 1879-70

John Henry Twachtman

A work made of etching in black on ivory japanese paper.

The Bridge of Sighs (Second Plate), 1885

Frank Duveneck

A work made of etching in black on cream laid paper.

Ponte Vecchio, Florence (First Plate), 1884

Frank Duveneck

A work made of etching in brown on cream japanese paper,.

Grand Canal, Venice, 1883

Frank Duveneck

A work made of etching in black on cream japanese paper, laid down on cream wove paper (chine collé).

San Pietro in Castello (Small Plate), 1883

Frank Duveneck

A work made of engraving in black on ivory laid paper.

The Small Savior, 1577

Diana Scultori

A work made of black chalk on tan wove paper.

Still-Life with Geometric Forms, 1901

Lili Elbe

A work made of drypoint in black on cream wove paper.

Shanties and Factories, 1879–80, printed 1921

John Henry Twachtman

A work made of etching in black on buff wove paper.

On the Thames, 1880

Frank Duveneck

A work made of etching in brown on cream laid paper.

Salute (Small Plate), 1880

Frank Duveneck

A work made of etching with drypoint on ivory japanese paper, laid down on board.

Canal Grande, Venice, 1888

Otto Henry Bacher

A work made of etching in brown on cream japanese paper.

Entrance to Canal Grande, 1880

Otto Henry Bacher

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