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A work made of pen and brown ink with brush and gray wash, with traces of black chalk, squared in black chalk on ivory laid paper, laid down on ivory laid paper.

Vision of Saint Dominic, n.d.

Luca Giordano

A work made of pen and brown ink, with brush and brown wash, over graphite, on ivory laid paper, laid down on buff laid paper.

Bacchanale, with Satyr Playing Reeds, n.d.

Circle of Bartolomeo Biscaino

A work made of pen and brown ink, with brush and brown wash, over graphite, on ivory laid paper, laid down on cream laid paper.

Figures Seated by a River, n.d.

Giovanni Francesco Grimaldi

A work made of pen and brown ink, with brush and brown wash, and red chalk and red chalk wash, on ivory laid paper, laid down on ivory wove board.

Standing Franciscan Saint Holding Crucifix, n.d.

Giovanni Battista Gaulli

A work made of pen and black ink and brush and blue-gray wash, on gray laid paper, laid down on cream laid paper.

Saint John the Baptist, c. 1748

Ercole Graziani, the younger

A work made of pen and brown ink, with brush and brown wash, over black chalk on ivory laid paper, laid down on cream wove board.

Assumption of the Virgin, n.d.

Domenico Piola

A work made of pen and brown ink with brush and gray wash, on ivory laid paper, laid down on ivory laid paper.

Madonna and Child with the Infant Saint John, n.d.

Circle of Donato Creti

A work made of pen and brown ink, with graphite, on tan laid paper, laid down on cream laid card.

Jacob Wrestling with the Angel, n.d.

Francesco Merano

A work made of pen and brown ink, with brush and brown wash (recto and verso), on ivory laid paper.

Sketches of Turbanned Men (recto); Fragment of a Figure and Sketches of Foliated Architectural Ornament (verso), n.d.

Salvator Rosa

A work made of graphite, on ivory laid paper.

Architectural Sketches, 1740/50

Canaletto

A work made of pen and brush and brown ink, and brush and gray wash, with traces of graphite, on ivory laid paper.

Capriccio: A Ruined Classical Temple, n.d.

Canaletto

A work made of pen and brown ink, with brush and brown wash, heightened with white gouache, over graphite (recto), and black chlalk with pen and ink (verso), on blue-gray laid paper.

Apotheosis of Hercules (recto); Sketches of Horse's Head, Horse's Forequarters, and Altarpiece or Ciborium (verso), n.d.

Anton Domenico Gabbiani

A work made of pen and brown ink, on buff laid paper, laid down on cream wove paper.

Rinaldo and Armida, c. 1693

Donato Creti

A work made of pen and brown ink and brush and brown wash on buff laid paper, laid down on ivory wove paper.

Warrior Seen From the Back, 1620s

Filippo Napoletano

A work made of pen and brown ink, with brush and brown wash, on buff laid paper.

The Astronomers, 1711

Donato Creti

A work made of pen and brown ink, with brush and brown wash, over graphite, on ivory laid paper, laid down on ivory laid paper.

Sketch for Frontispiece to Figure Originali, c. 1790

Carlo Labruzzi

A work made of pen and brown ink, and brush and brown wash, with white and blue gouache, over graphite, on cream laid paper, prepared with a brown wash ground.

Project for the Tomb of James III, the Old Pretender, c. 1766

Pietro Bracci

A work made of red chalk, heightened with lead white (discolored), on buff laid paper, laid down on cream wove paper.

Vision of Saint Philip Neri, after 1614

Guido Reni

A work made of black chalk and pen and brown ink, on ivory laid paper, perimeter mounted on cream card.

Architectural Sketches, c. 1720

Canaletto

A work made of pen and brown ink, on ivory laid paper, (black chalk and pen and brown ink sketch on verso), perimeter mounted on cream card.

A Bridge Near a Church in Venice, c. 1720

Canaletto

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