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A work made of cover, red, wool, hand woven and embroidered.

Cover, 19th Century

A work made of cover with floral design embroidered in colors..

Cover, 19th century

A work made of linen, plain weave; embroidered with silk in cross, four-sided, running, and padded satin stitches; inset of silk and cotton, warp-float faced satin weave self-patterned by ground weft floats and areas of twill interlacing.

Valance (For a Bed), 17th/18th century

A work made of silk, 7:1 satin damask weave lining: silk, 7:1 satin damask weave tassels: plied silk 4 element square braid cord, knotted and silk-wrapped-cotton ball; cut fringe.

Uchishiki (Altar Cloth), Meiji period (1868–1912), 1870/90

A work made of heri, jô: silk and gold-leaf-on-lacquered-paper-strip, plain weave with plain interlacings of secondary binding warps and supplementary patterning wefts; shiten: silk and gold-leaf-over-lacquered-paper-strip, warp-float faced 2:1 'z’ twill weave with supplementary patterning weft floats and some supplementary patterning wefts bound in weft-float faced 1:2 'z’ twill interlacings; lining: silk, plain weave.

Ôhi (Stole), late Edo period (1789–1868), 1800/68

A work made of transparent watercolor, with touches of opaque watercolor, rewetting, blotting, and scraping, heightened with gum glaze, over graphite, on moderately thick, moderately-textured, ivory wove paper (left and lower edges trimmed).

The Return, Tynemouth (recto) Study (verso), 1881

Winslow Homer

A work made of linen, plain weave; embroidered with silk yarns in chain, closed herringbone, and stem stitches; couching; three loom widths joined.

Bedcover, 18th century

A work made of cotton, plain weave; screen printed; some squares ironed to pelon.

Sampler, 1950/2000

Maija Isola

A work made of cotton, plain weave; resist printed with blocks.

Panel, 18th century

A work made of etching and drypoint on ivory laid paper.

St. Francis Beneath a Tree Praying, 1657

Rembrandt van Rijn

A work made of etching and drypoint on ivory laid paper.

St. Jerome Beside a Pollard Willow, 1648

Rembrandt van Rijn

A work made of etching on paper.

St. Jerome Kneeling in Prayer, Looking Down, 1635

Rembrandt van Rijn

A work made of etching on paper.

The Ship of Fortune, 1633

Rembrandt van Rijn

A work made of etching and drypoint on paper.

St. Jerome Praying: Arched, 1632

Rembrandt van Rijn

A work made of etching in black on tan laid paper.

The Strolling Musicians, c. 1635

Rembrandt van Rijn

Print in black ink of three bearded men dressed in voluminous cloth hats. A fourth man in a tall cloth hat leans out of a doorway or window in apparent conversation with the others.

Three Oriental Figures (Jacob and Laban?), 1641

Rembrandt van Rijn

A work made of etching and drypoint on ivory laid paper.

The Phoenix or The Statue Overthrown, 1658

Rembrandt van Rijn

A work made of aquatint and etching on ivory china paper laid down on cream laid paper.

Back into Nothingness, plate fifteen from A Life, 1884

Max Klinger

A work made of cotton, plain weave; resist printed with blocks.

Panel, 18th century

A work made of cotton, plain weave; resist printed.

Panel, 1775/1800

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